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Culture War Roundup for the week of June 23, 2025

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Never Meet Your Heroes, Even Posthumously

When I was a kid, I discovered Harlan Ellison on Sci-Fi Buzz during his Harlan Ellison's Watching segments. They were my favorite segments, and I was crushed when an episode didn't have one. I would have been about 10 years old at this time. Luckily enough, they are all still available on Harlan's youtube. This one in particular I remember, being a comic card collector in middle school, along with most of the boys in my boy scout troop.

For me at that age, there was a lot to look up to in Harlan. He was witty, funny, charismatic, and never gave up on his childhood passions. More over he seems important and respected, his awards always preceding his name. I thought he was simply the best as a young nerdling. But I never read his stories. I can't even remember wanting to. Maybe I wasn't there yet, in terms of reading level. I honestly have no memory of what I was reading at that age. I do recall that by the time I was a freshman in highschool, I had read ample Ray Bradbury collections, and had been dabbling in Iain M Banks. For whatever reason I never circled back to Harlan until much later, picking up a ebook copy of I Have No Mouth and I Must Scream and being blown away by every story in it, especially Pretty Maggie Moneyeyes.

Over the last month, I've been working through The Essential Ellison: A 35 Year Retrospective. It's completely changed my view of the man, and not for the better. The tome really lays bare how autobiographical much of Ellison's short stories are. The barely disguised self loathing, the tireless hatred he feels for all of humanity, but seemingly goys above all others, and the immaturity disguised as worldliness. Qualities I admired as a child watching him on Sci-Fi Buzz I'm profoundly glad I did not grow up to emulate as an adult.

The facts are Harlan's father died when he was very young, he was constantly in and out of trouble, he ran away from home, he worked a smattering of tough sounding blue collar jobs, he spent 2 years in the army, he was expelled from college, he was married 5 times, divorced 4, and he had no children.

Through his fiction, you further learn that he was, imagines, or romanticizes, being the only jewish boy in a small Ohio town relentless victimized by it's shitty irredeemable goy population. He loathes goys, and it rears it's head in story after story after story. He hates their dumb kids, their dumb churches, their dumb music, their dumb bowling leagues, you name it, he hates it. And he hates that they're all bigger and stronger than him at 5'3". Does he really feel this way, deep down? Who's to say. But after 1000 pages, probably 500 of which riffed on that theme, I'm left with the impression some part of him must. Often cloaked in humor, or the virtue of the civil rights movement of his day. But in his fiction, he seems less interested in the humanity of Southern Blacks, and more interested in the inhumanity of the goy.

He returns to his childhood repeatedly in his fiction, and how much better things were then, when radio plays lit his imagination on fire and his father was still alive. This is a strain of stunted growth I too suffer from, as my grumpy rants about video games will attest. I find ample share of compatriots in this regard. But something about Harlan's inability to take on the masculine burden of supporting and raising a stable family casts a darker tint to his nostalgia.

Harlan Ellison's entire public persona was a fraud. Or at least, in many of his writings, his fear that he was a fraud came through. Stories about a 4 times divorced celebrity manufacturing a shameful charismatic and funny public persona to hide how much he hated everyone. Stories about a shameless womanizer who has worked all sorts of rough and tumble blue collar jobs... but only for a few weeks so he could say he did. In reality he (I mean his character of course) has soft hands only barely acquainted with manual labor. Which reminds you Harlan the author never draws on all the odd jobs he claims to have had in his fiction, beyond name dropping them. Lastly, multiple stories where a four times divorced main character convinces his first wife to get an abortion she doesn't want, resulting in her emotional destruction which he treats as a personal offense to himself.

Are all these details that sound curiously autobiographical true? Or angles Harlan plays up for want of something to do when seated at his typewriter? At this point, with enough dots connected, I suspect the worst.

After making it through The Essential Ellison, I'm hurt. Hurt that someone I looked up to so much as a kid was in reality a hateful, developmentally stunted man. And I mean emotionally, not physically, though I suppose there was that too. A man who for 35 years picked his wounds in public, on the page. He kept them fresh, knowing it's what put food on the table. I feel sorry for him, but I also sincerely wish I hadn't known all that. Ah well.

I’ve been a colossal fan of Jeopardy! (a long-running American trivia game show, for those unfamiliar) for most of my life. My enthusiasm for the show skyrocketed during Ken Jennings’ historic 74-game winning streak in 2004. A geeky, witty, self-deprecating guy, Jennings’ prodigious knowledge was matched by his appealing personality, making him a TV phenomenon and boosting the popularity of the show.

After returning to various Jeopardy! exhibition tournaments, cementing his legendary status, he got into the running as one of the potential candidates to replace the show’s iconic decades-long host, Alex Trebek, whose cancer diagnosis had been made public and who was nearing retirement. In 2021, Jennings was officially announced as the new official host of Jeopardy!. He has breathed new life into the show; while Trebek’s personality was aloof and almost enigmatic, Jennings is warm and jocular, frequently engaging in witty repartee with the contestants and helping to bring out their personalities. Jennings also clearly knows a lot of the answers to the questions without needing to read off the cards, allowing him to make more informed split-second judging decisions about the acceptability of contestants’ answers, and allowing him to make certain edifying clarifications and to add cool fun facts about some answers. In other words, he’s the perfect host for the show, the perfect ambassador for the brand, and the perfect steward to carry the show for decades to come.

His politics are also very obnoxiously woke. I try not to use that word very often, considering it over-used and under-defined, but I think it fairly encapsulates his public statements on politics, which can easily be found by perusing his Twitter and Bluesky accounts and, apparently, by listening to his various podcast appearances. He has the typical smug, sanctimonious approach of a guy who was the smartest person he knew for his entire youth, and who was used to winning every argument he came across due to pure cognitive processing power and verbal agility. Political dunks phrased as though they’re so self-evidently obvious that only a total dolt would fail to agree with them. A deep and abiding belief that “supporting” trans people, abolishing borders, and ending “mass incarceration” are the urgent moral responsibility of every good-thinking person.

This commitment to progressive politics has bled over into Jeopardy! itself; since Jennings took over hosting, there has been a palpable increase in the number of questions related to black writers and activists, and a Jennings has made several on-air comments (mild, but obvious to those who are attuned to them) which reveal his own politics. It’s especially disheartening to know that a man with his depth of knowledge and clearly impressive mental faculties isn’t able to see the nuance around these issues, despite the ease with which the internet allows people with even a modicum of curiosity to expose themselves to the best arguments from the other side.

Now, I do hope/plan to meet Jennings some day; I have auditioned for Jeopardy! before, making it past the initial testing phase but never getting the call. I plan to continue to audition yearly until I eventually make it on the show, where I’m confident I could make a decent showing of myself and even win some real money. It crushes me to know that someone who’s something of a minor hero of mine would, upon learning my politics, want absolutely nothing to do with me, and may even not want me to be able to appear on the show, one of my life’s dreams. I try to studiously avoid hearing anything about Jennings’ politics, not wanting to further tarnish my warm feelings toward him. My single biggest fear about being doxxed, even above the effect it’d likely have on my personal and professional relationships, is the fear that it could prevent me from having my chance to compete on the show; I try not to think about whether Jennings would want me disqualified.

there has been a palpable increase in the number of questions related to black writers and activists,

Given the trajectory of many, many programs which don’t involve Mr. Jennings, it’s likely not his doing. Correlation, causation. Not that he has any reason to fight it, but if it makes you feel any better, you can probably blame faceless executives and market research.

It’s especially disheartening to know that a man with his depth of knowledge and clearly impressive mental faculties isn’t able to see the nuance around these issues

There’s, uh, a few conclusions that you could take from that.

But I think the set of (knowledgeable & impressive faculties & nuanced opinion & wanting to talk about it & visible) is vanishingly small. Having a complicated, technical opinion on the Current Thing is inversely correlated with wanting to blast that opinion on social media. And with getting an audience when one does so. It’s probably worse when you’re competing for the attention of media executives with their own politics.

And with getting an audience when one does so. It’s probably worse when you’re competing for the attention of media executives with their own politics.

I don’t think that this is honestly much of a factor; my understanding is that Jennings has been very consistent and very vocal about his politics for many years before anyone was considering him for a major media role, and before those specific beliefs were fashionable. The guy genuinely is an old-guard Gen-X progressive, and I don’t see any evidence that he’s either played up or played down those opinions based on any mercenary career concerns. Nor do those politics appear to have had much bearing on his selection for the Jeopardy! hosting gig; he got the role because he was already an extremely well-known institution on the show, and because he genuinely earned it over a long period of time. That’d have been true whether or not his political commentary was frequent or sparse. (Although obviously his specific opinions didn’t actively harm him, which wouldn’t have been true if they’d been significantly right-of-center instead.)

Sorry, I meant that in the general case of media selection pressure, not for Ken in particular. It’s just another filter.