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Notes -
So I read Blindsight in about 4 days ish. That was a ride. Waaaaaay less comfortable of a first contact story that Mote in God's Eye, which was the last novel I talked about which brought recommendations of Blindsight. Here, and also a buddy of mine who just lent me his copy.
I liked it... but I didn't enjoy it. Like, it was rich in concepts and took the story in directions I never saw coming. But I felt like it spent more time trying to fuck with me thanks to the layers of unreliable narrators than it did advancing a story. And then of course it's just a total downer from a humanist perspective. I feel like Blindsight is a better recommendation to go along with something from HP Lovecraft than an almost Star Trekkish "Rah Rah Humanity!" first contact story like The Mote in God's Eye.
I guess if you love hearing about how much we suck and are doomed and the universe will trample us with it's indifference, Blindsight is pretty good. But something in me says Lovecraft did it better. Probably a matter of taste.
I enjoyed the book so much I read it four times. Not that there aren't quibbles to be had with some of its storytelling, but the concepts and overall narrative are strong enough to overcome its deficits.
Vehemently disagree with this in particular. In theory Lovecraft would be something I'd enjoy, but I get pretty tired of his penchant for showing the reader incomprehensible unexplained creatures, then stressing endlessly how easily our world could be ended by them - IMO, that is trivially easy to achieve if no burden whatsoever is placed on the writer to explain anything or make it make sense. The challenge with this kind of fiction in my opinion is to introduce a concept inherently clever or terrifying enough to maintain that sense of starkness, alienness and cosmic horror even when the mystery box is opened fully. I get so tired of aliens where the entire point of their existence is to be alien for the sake of being alien - it's easy to write godmade horrors if you're just optimising for weirdness and incomprehensibility, it's not easy to write them if you're simultaneously trying to make them comprehensible and plausible while retaining the dread. The horror in cosmic horror comes from it feeling real enough such that the audience would actually entertain it as a possibility.
Blindsight's cosmic horrors are maybe the only ones in fiction that feel truly alien and scary to me. Most of the others I've encountered are basically souped-up elves with even less plausibility.
Strongly agreed. Blindsight is in my top 3 list, and Lovecraft? The man was afraid of miscegenation, his own shadow, and presumably, General Relativity, given how much he hates non-euclidean geometry.
I found the general concept of unknowable, eldritch entities interesting, but his execution lackluster. The Laundry Files does it way better, if we're sticking to the Mythos.
The laundry series is not half as scary as Scratch Monkey, his first novel.
Stross needs to be terrorized in real life to produce great art (e.g. Scratch Monkey was written while he was implementing credit card transactions..in Perl), and I'm seeing much promise here with the rise of nativism and Trump.
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