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I watched the new Knives Out movie, and while the mystery plot was fun enough, my enjoyment of the movie was severely hampered by politics. I saw the previous Knives Out movie so I knew what to expect, but I do feel like this just went above and beyond. Minor spoilers to follow.
My wife was disappointed that I let politics ruin a good movie for me, but really, I think that the filmmakers honestly don't want you to view this movie as just a fun murder mystery without the context of politics. The movie is all about making a heavy handed political statement.
The movie just seemed like a pulpit for Rian Johnson to talk about how much he hates Elon Musk, Joe Rogan, and various other people. I almost feel like the entire plot is really the secondary goal. The main goal of him making this was to implant and grow a brain worm in the audience that every famous rich person is connected, really part of a cabal that got what they got through no talent of their own, took advantage of individuals and the world at large, contribute nothing, and are evil, vile, worthless, and bratty pieces of shit.
Nowhere in the movie do they ever display the slightest amount of sympathy for anyone besides the detective and the poor black woman who was taken advantage of (major spoiler:or her secret twin sister ). I guess this movie really makes me feel like in order to write good compelling characters, you really have to love them, or have the capacity to love them, or maybe just respect and understand and empathize with them. Rian Johnson clearly does none of this, and his utter contempt for them just seeps through. He comes across like a high school kid writing screenplays to take pot shots at people he hates.
I don't know, I really can't believe that this movie has gotten so much praise. It really irritates me, and just seems like lazy complaining.
Other minor, non political gripe:
The movie came to a screeching halt when they decided to have the entire 3rd quarter of the movie as a flashback. I think small flashbacks are great in mystery stories, but the decision to have over a half hour told in flashback made me feel like it was dragging, and made me want it to just get back to advancing the plot.
I haven't seen the movie, but your post is relevant to a concept I've been thinking about for a while: applause lights as entertainment.
In theory, a lot of the tropes of modern entertainment exist to prevent bad things. Strong female characters exist to correct male overrepresentation & sexist portrayal of women, ethnically diverse casts likewise for race, ineffectual & pathetic villains exist to avoid the danger of glamourizing & thus promoting the crimes they commit etc. I can at least see where this comes from, even if I think it's misplaced paternalism.
However, I feel like there is a growing trend to go much further, to the point of valuing these things as ends unto themselves, to the degree that they outstrip in importance more traditional terminal entertainment goals like good storytelling, characterization, acting, production values etc. If the cast is nonwhite, there is a transgender lead, the plot shoehorns in a critique of capitalism - this is sufficient for the movie to be good and enjoyable, for a not-insignificant portion of the moviegoing public. The applause lights come on, people clap, and they clap because they enjoyed the applause light.
The inverse is also true, political incorrectness being enough to make a movie unwatchably bad - possibly even without anything problematic happening on-screen, beyond the presence of an actor or actress associated with offscreen wrongthink. (Chris Pratt jumps to mind)
I'm not quite sure how or when this came to be, but it seems like a stark difference compared to 20 or even 10 years ago. (and almost reminiscent of Soviet film) Booing the outgroup has always been a popular passtime, and there's some of that here (every single white male antagonist with predictable non-problematic personality defects, etc) but the majority seems more like a feel-good righteousness, like attending church - the more boring the sermon, the more virtuous the believer who manages to stay awake.
Maybe I’m part of the problem, but I just won’t watch a Rian Johnson movie. Yes, I hated the last Jedi. But it was because Rian wanted to elevate politics over storytelling; indeed, he actively seemed to hate storytelling.
So why go watch a movie made by such a man?
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I do not remember it exactly, but I think comedian Bill Burr described similar phenomenon as "clap commedy". "Comedian" tells a joke and instead of people laughing, they just clap. Comedy is special in that even if the joke is maximally politically incorrect, the laugh is involuntary and it clearly shows if the joke was actually funny.
I believe the neologism is "clapter".
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