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Culture War Roundup for the week of August 18, 2025

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The show bible for My Little Pony is on archive.org, and it has some interesting things to say about how they positioned the world. It's also from 2009 so it predates the woke spillover:

What does it take to make someone fall in love with a brand? What makes a series of stories you heard in your childhood memorable for you entire life, so much so that you want to share them with your children once you become an adult? Think of The Chronicles of Narnia, The Lord of the Rings, Harry Potter. These brands settle into the hearts and memories of their audience and remain there. Why? These brands are worlds. The possibilities within these worlds are vast, yet there is a defined logic and structure to these alternate realities, making them highly believable. Moving more inwardly, these worlds have limitless lands where limitless types of beings and characters can live in them. You see, it is not just the world that the audience loves, but mostly the characters that live within them and the different, yet somehow similar trials they must face in their lives.

This approach has been utilized for countless intellectual properties, including Transformers and G.I. Joe, with much success, but has fallen short when attempted with girl properties. Perhaps this is because the softer gentler nature of girl properties felt limiting to those who would try. And all too often the worlds created for girl properties are left vague, ambiguous and generic. But I do not think this has to be so. A girl world can be set up the in the same manner, it is the intentions that must be different.

Rather than set the stage for epic, dramatic adventure stories like the examples above, a girl world should set the stage for friendship, heart and laughter as well as adventure--- adventure that is more fun and exciting than dramatic and epic, but adventure nonetheless. With only that alternate intention, the same strong history, mythology, back story and even the alternate logic and physics of an alternate world will serve the same purpose to endear you to the characters and make the stories memorable.

This sounds right to me, though the contrast between the corpospeak and the graphic design is certainly pretty jarring. I never watched it (not even when it was big), but there's a richness to the detail of the world and characters. Contrary to modern female character design, every character page has a "bad points" section as long as her "good points" section, and this is probably one of the reasons it had such a strong following in its heyday. Characters' bad points cause conflicts or avoidable problems, creating room for the ponies' good points to shine and resolve them.

The target audience was very carefully designed, and they knew they were targeting boys too (given the bronies of the 2010s, perhaps it worked a little too well). Some cut-down quotes from p65, if you want to read it in detail:

  • Girls (6–11): My Little Pony offers 2 elements that are very important and popular to girls: relationships and fantasy. (Snipped much more from this point.)
  • Preschool (3–6): The ponies are cute. Preschoolers own ponies. The stories and morals within are nice enough for parents. Little kids want to watch big kid stuff. They'll watch.
  • Boys (believe it or not): They won't admit it, but they'll watch. When their sister’s watching it, they'll balk and act like it’s dumb, then they'll sit down and watch it. For the same reason Moms will find My Little Pony interesting enough to happily share with their daughters, the compelling conflicts, the strong characterizations, the silly humor and (most importantly for boys) the ADVENTURE, the boys will watch, too. Really
  • Moms: We've got a few good points going for us when it comes to Moms. First, the original buyers of My Little Ponies are in their late twenties to mid-thirties and are likely to have daughters within the target age range, 3-11. Bringing back elements of the original ponies from the 80's ... will nurture a sense of nostalgia, something that is not difficult to do with Gen-Xers. Second, compelling storylines (ie: truly engaging conflicts, both external adventure and internal relationships,) characters with depth and complexity, clever and silly humor that doesn’t talk down to kids and even a few jokes that might go over the kids’ heads will all engage Mom enough that watching My Little Pony will become a fun thing for Mom to do with her daughter. Not only will Mom be sharing her favorite childhood toy with her little girl, but she may actually enjoy watching, too!

While MLP was a breakout exception, it's an existence proof that the suits used to know how to make girl shows that that boys could watch. But all we have now are the corpses of old franchises going to resyk to be turned into slop. Why haven't we seen other major media cater to girls-but-also-boys in this way, instead of the torrent of flawless mean-spirited girlbosses that we did get?

Contrary to modern female character design, every character page has a "bad points" section as long as her "good points" section, and this is probably one of the reasons it had such a strong following in its heyday.

An important distinction here: "modern female character design" does still produce characters with lots of bad points, but not on purpose.

Why haven't we seen other major media cater to girls-but-also-boys in this way, instead of the torrent of flawless mean-spirited girlbosses that we did get?

Because someone mentioned it above: the flawless mean-spirited girlboss is a religious thing, and most show writers are, if not necessarily that religious, encouraged in that direction by the suits. Problem is, of course, that because their religion is a religion of hatred, people need to have some other motivation to watch it.

The best example of a Western show post-MLP (or at least, post-Lauren Faust-directed MLP) to not be outwardly religious in this way is Gravity Falls. I don't think Alex Hirsch is particularly religious in that way (or at least, he isn't in a way that negatively impacts his work, though there are also signs that he understands what I'm about to talk about below).

given the bronies of the 2010s, perhaps it worked a little too well

Oh yeah, about that. The boys that persist in watching it are also [at least sometimes, if not most times] doing it for that reason, just like they were with Sailor Moon back in the '90s (and is part of why the post-woke MLP [G5, the 3D era one] designs look significantly less attractive, like dogs), and is why slice of life anime with all-female casts tend to have significant male followings.

(What that reason is... is more complicated; smarter men than I have tried and failed so I'd have to think about it more. I'd say 'moe' as a first pass, but that's not any less dense.)