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This has always been true. If you really want to make a career out of something like painting, this has been true for basically all of history.
Basically most art and artisanal crafting (woodworking, etc) falls into this bucket
Edit: to be clear I'm not denying the rest of this, I'm just saying I grew up knowing that a significant number of interesting career paths were cut off due to lack of strong economic viability, thats not a new issue
I don't dispute that, but it also doesn't engage with the article's thesis: that there was a window that was previously open for white men to participate in these culture-making activities, which has been closed artificially. Of course it was never the case that everyone could e.g. write for The New Yorker - there were always too many people who would like to. But the premise before, and the ideal for which we should aim, was that whoever could do it best could get the role, regardless of their identity; and now identity is an impassable barrier.
Previously, the parental advice would have been: "It's great if you want to try and become a journalist, but try and build some hard skills as a fallback plan because it's hard to get a job in that." Now it's, "Don't try to become a journalist at all, the field is actually closed to you."
So fair, I was really just commenting on that isolated thought
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The piece addressed this point as well. Based on the stats white men did not migrate into other high-status fields like medicine, law, and tech, likely because of the same discriminatory hiring practices.
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Ding ding ding.
And then there's the added problem of "oh, and any other field you might want to try could arbitrarily be closed off to you if it ever becomes lucrative and high-status enough for entryists to target."
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Professional painters exist, and I don’t even mean housepainters(which anyone who isn’t visibly high when inquiring can get). Portrait artists have no control of the creativity of their profession, is all.
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