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Culture War Roundup for the week of March 2, 2026

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Orwell once described fascism as "socialism shorn of all its virtues".

My immediate reaction was "what virtues?"

Orwell was a socialist, albeit a cynical and disillusioned one, and he had trouble publishing Animal Farm because the only publishers willing to publish anti-communist parables were anti-communist. Might be worth bearing in mind.

Oh, I'm aware.

For many people, "meaning well" and being nice is very important, sometimes even more than actually accomplishing anything. There is in particular a stark divide between left and right (and also men vs women) on this issue. Plenty of my friends and acquaintances, when confronted with the dysfunction of some left-wing regulations, will nevertheless defend them and not want them abolished, mostly on account that they were originally meant well and should at most be reformed (which nobody ever kicks off and thus never actually happens). Aristocrats who never actually accomplished anything and certainly don't deserve their wealth will often be more popular on account of modest charitable spending and a public image carefully designed to be maximally inoffensive (which is much easier if you're not constrained by trying to accomplish something) than a revolutionary entrepreneur.

Their view, as I understand it, is that communism at least sounds nice in theory and means well originally, and the same goes for communist activist, whereas fascist activist are just irredeemable monsters. Which I even partially agree with, the problem is just that the people they call fascists pretty much never identify as such and have only little commonalities with the historic concept. It's always Adorno-style sophistry where you use a definition of fascism that is 50% totalitarism and 50% being right-wing and then, upon showing that the right-wingers are indeed right-wing, claim that there are large parallels between fascism and whatever right-winger you choose. Not to mention that irrespective of the good intention of the communist, I don't want to end up in the gulag anyway.

For many people, "meaning well" and being nice is very important, sometimes even more than actually accomplishing anything. There is in particular a stark divide between left and right (and also men vs women) on this issue. Plenty of my friends and acquaintances, when confronted with the dysfunction of some left-wing regulations, will nevertheless defend them and not want them abolished, mostly on account that they were originally meant well and should at most be reformed (which nobody ever kicks off and thus never actually happens).

I can't help but notice how well this parallels the discourse around generative AI and whether or not it has a "soul" in the sense of the author's intentions. To some people, this intent of the author exists in an image (or video or song or a block of text or etc.) only insofar as the actual final pixels represent such an intent; the actual thoughts that went through the author's head in the moment don't matter. To others, it's the actual thoughts that matter, and how well the pixels convey those thoughts are merely a curiosity.

Right now, the culture war lines drawn in the world of generative AI doesn't seem to neatly match other lines of older culture wars, but I wonder if this aspect will mean we'll see support/opposition to treating media generated by AI as having exactly as much meaning as those generated by humans without AI getting split up in right/left or male/female. It's possible we're seeing it happen already (it's hard to get a sense of the latter, especially, since new tech is almost always heavily male-dominated by default).

That issue is somewhat confused by postmodernism and death-of-the-author being associated with left-wing intellectual discourse, even though it's also left-wing to hate on AI for lacking soul. It's not quite irreconcilable - you can say, for example, that the fun thing about experiencing art is trying to guess what the author meant, so that the game is equally spoiled by rigid adherence to factually documented authorial intent or by the knowledge that the content was spat out by a machine and there is no 'there' there to guess at. But it's an interesting paradox.