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Roughly one and a half years after first reading about it here and elsewhere I decided to finally binge-watch the 3-part Netflix miniseries about the infamous Woodstock ‘99 festival, released as episodes of the Trainwreck documentary series. I guess I’m lazy like that, or there are hard limits to my curiosity. Anyway, as I’ve commented on it here before, I did read and hear commentaries about this documentary and the one released earlier by HBO on the same subject, and based on these I assumed that I’ll be seeing some another tiresome woke Netflix slop about toxic masculinity and nu-metal being horrible and cringe. I have to say I was pleasantly surprised but also found that the rather little amount of woke commentary in the series seemed to be included in a rather ham-fisted and clumsy way.
To first address what was probably driving the dismissals/accusations about the series being woke propaganda slop: the topics of sexual harassment and assault are regularly brought up in it, which is understandable as this was eliciting much of the negative media focus on the festival. Based on the series there were three interconnected phenomena that were routinely taking place. One: women in the crowd flashing their tits, usually while being drunk or drugged, and prompting guys standing nearby to grab and grope them. Also, women who stage-dived were often groped all over. Three: as nudity was completely normalized from the beginning, which I imagine had much to do with the extreme heat, there were many cases of naked or semi-naked, similarly drunk or drugged women stumbling around and then getting surrounded by sleazy guys, usually also drunk or drugged, who also went on to grope them.
Plus there were rapes taking place, usually in tents and vehicles as mentioned by two interviewees, with a featured news segment mentioning 4 such cases being reported to the police. All this is mentioned in passing, except for one probable case of statutory rape which happened in a commandeered vehicle inside the rave hangar. I say 'probable' because the witness who described it said the otherwise blacked-out girl looked underage and it seemed like some guy just finished boning her, but he wasn’t sure. It also bears mentioning the context, namely that naked chicks were getting boned left and right in the dark next to the walls inside the hangar.
To finally move on to the culture war angle: there are two female interviewees relatively extensively commenting on the subject; one is a black former MTV reporter who curiously claims that the MeToo phenomenon was sparked by incidents and sexist behaviors such as these and a former attendee who was 14 at the time of the festival who said she’s just thankful that these behaviors are no longer considered acceptable.
I watched this and thought MeToo was obviously driven by multiple things, but I’m sure average drunk dudes groping drunk naked girls on festivals is definitely not one of them. Also, how do you then explain the 18-year time gap between the two? As someone of some experience at rock and metal festivals I also wondered: surely these behaviors cannot be said to be normal and acceptable during music festivals. What I think is fair to say is that they were routinely occurring on these particular festival, and that social and cultural factors that are peculiar to the late ‘90s were at play.
For example, widespread nudity was not the norm at the original festival, at least nowhere near to that extent, as far as I know, as evidenced by the many pieces of archive footage also included in this miniseries. Only by the late ‘90s did social licentiousness reach such an average level that such behaviors were normalized. Girls flashing their tits during music shows (and/or getting drugged on Ecstasy) is another expression of this, and I don’t think this was considered normal until the ascendance of nu-metal and rave, with both genres dominating Woodstock ’99. But still, it’s not like groping and touching was seen as a routine pastime during every similar festival in those times, I guess.
To mention some other things:
Curiously no member of Limp Bizkit was interviewed even though many Millennials apparently scapegoated them for the entire, well, trainwreck. Their former manager, on the other hand, was featured and he predictably denied any allegations, and it didn’t appear to me that the show’s narrative was trying to contradict him. However, it appears to be clear that him and the RHCP are responsible for cluelessly inflaming an already agitated and destructive crowd even further when an orgy of vandalism was already poised to break out, their only excuse being the organizers clearly not communicating effectively their request to help tame things down. On that note, no member of RHCP was interviewed either.
The incompetence on display on the part of the organizers is just hilarious, especially in included news segments of the bosses giving press conferences. A complete and delusional denial of the reality on the ground, one rosy and baseless statement after the other, refusing to take responsibility and shifting blame to a small number of evildoer attendees even on the morning after the disaster already happened. The mayor of the host town also came across as a complete dunce during those events, putting on an optimistic façade and actually having the temerity to even openly invite the organizers to return and put on another festival sometime later, doing all this at a point where everything already went to literally shit and things were to fall apart completely in a few hours.
While not openly naming late-stage capitalism as a culprit, the documentary creator clearly consider it to be the main culprit, and for a good reason, I think. Despite all the bullshit and pretense of doing everything to honor the great legacy of the original Woodstock, the overriding objective was to make maximum profit, driven by the bad example of Woodstock ’94 not turning any profit at all, and this went hand in hand with cutting to the bare minimum the budget for any services, facilities, staff and security, while at the same time banning the attendees from even bringing their own drinking water on site.
MeToo was probably a mix of cohort effects and the effects of technology. It used laws which existed in the 90s, but was bolstered by the internet's power to bring together women to make accusations against men all at once. It also relied on an ample supply of feminists, which the MeToo generation supplied more sufficiently than previous generations. Debauchery at Woodstock 2 would have been way harder to prosecute than today because nobody had smart phones. Most people probably didn't even have cell phones. There are few to no recordings of what went on, nobody got "their rapist's" snapchat and exchanged instant messages, police might struggle to prove an accused man even attended, without the easy investigative tool of phone location records.
As a side note, the evidence produced by mobile phones is fascinating to me. Some time in the last 10-20 years, it became nearly impossible to get away with murder or any other serious crime. The main exception being situations involving some gang-banger in the ghetto and law enforcement doesn't particularly care.
Not really, at least in the US.
In the hood, you do not get away with anything for long. Friends of the deceased usually know well who did it, and prefer to deal with the perpetrator (and his friends) themselves. This is how old American self sufficient spirit looks like.
"Perfect murders" in classic detective stories style would be:
1/Victim dead, death recorded as due to natural cause, accident or suicide, no murder case opened.
2/Victim went missing, no missing case opened because, well, no one missed the victim.
How many of such cases are here is impossible to estimate.
I'm open to evidence against my claim, but the cite you provide doesn't say WHICH homicides are remaining unsolved.
So your claim is that the 58% figure quoted in your article consists mainly of homicides outside the "hood"?
The figure consists of homicides solved by formal white man's law, as opposed to ghetto street law.
How many people really get away with murder in such sense that they face no adverse consequences in their lifetime (excluding guilty conscience, if applicable) is unknown and unknowable.
So it sounds like you agree that, outside of the "ghetto," for the most part homicides get solved. Is that right?
But we can set an upper bound on it, agreed?
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