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Quality Contributions Report for April 2026

This is the Quality Contributions Roundup. It showcases interesting and well-written comments and posts from the period covered. If you want to get an idea of what this community is about or how we want you to participate, look no further (except the rules maybe--those might be important too).

As a reminder, you can nominate Quality Contributions by hitting the report button and selecting the "Actually A Quality Contribution!" option. Additionally, links to all of the roundups can be found in the wiki of /r/theThread which can be found here. For a list of other great community content, see here.

These are mostly chronologically ordered, but I have in some cases tried to cluster comments by topic so if there is something you are looking for (or trying to avoid), this might be helpful.


Quality Contributions to the Main Motte

@naraburns:

@TitaniumButterfly:

@orthoxerox:

@charlesf:

@solowingpixy:

@OliveTapenade:

Contributions for the week of March 30, 2026

@Amadan:

@thejdizzler:

Contributions for the week of April 6, 2026

@birb_cromble:

@Rov_Scam:

@RandomRanger:

@BigObjectPermanenceShill:

@EverythingIsFine:

@OliveTapenade:

@ControlsFreak:

@IdiocyInAction:

@CrispyFriedBarnacles:

@SpringFish:

@Shakes:

Contributions for the week of April 13, 2026

@cjet79:

@faceh:

@RandomRanger:

Contributions for the week of April 20, 2026

@self_made_human:

@Rov_Scam:

@Bombadil:

@Amadan:

@CrispyFriedBarnacles:

@urquan:

Contributions for the week of April 27, 2026

@RandomRanger:

@MonkeyWithAMachinegun:

@AmrikeeAkbar:

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@OliveTapenade:

Aww I wish I'd seen this when it was originally posted. I'm an atheist. Terry Pratchett is my favorite author. The only books I've ever managed to read twice. Your thought that he has such anger at the world feels so totally alien to me. It wasn't anger it was hope. And it wasn't an empty hope. The world of terry pratchett does in fact get better!

Ankh-morpork is a rotten, polluted, cesspit of a city. Its main defense against invaders is to allow them in and corrupt them so completely that they stop being invaders. The river can be walked on, when its not on fire. The magic university suffers accidents constantly that leave the surrounding areas of the city steeped in weird magical effects. But over the course of many novels it gets noticeably better to live in the city. Crime becomes more restricted to the darkest and worst places of the city. Races of all kind can go there and leave their old world prejudices behind. Material wealth is skyrocketing. New mail systems like the telegraph (clacks) are sweeping the city, trains are being developed to shorten the travel distances, and culture is booming enough for new music styles to be born.

The aggressive conquering religion of the Omnians is softened from something like Islam to something more like modern christianity.

Death learns to care about life in the form of his apprentice.

A wizard and his travelling luggage get to visit Australia and other interesting cities.

A war for a silly island is averted.

etc etc.

The stories of discworld are undeniably hopeful. Its in some of his other stories where he shares authorship that I realized hoe much the hope of his stories shines through. If you've ever read "The Long Earth" series, co-authored with sci-fi author Stephen Baxter you'll see what I mean. Terry Pratchett had failing health and eventually died before the full series completion. The story gets darker and more depressing as each book passes. What starts as kind of a hopeful series about new lands and places to explore, ends with self-sacrifice to thwart a species that appears to be a paperclip maximizer type threat. I thought this was maybe Stephen Baxter just being depressed about losing his co-author. But I read one of his other books, and no that is just how Baxter is.

I want to piggyback on your reply and disagree with @Amadan's take:

Something a lot of Christians forget is that many atheists are either former Christians themselves, or have had enough exposure to Christianity that they understand it even if they don't agree with it. We are perfectly capable of reading Lewis and Tolkien and "getting" what they are saying about God and faith and morality.

I think there's still an important difference. A Christian can read Lewis and interpret the book as a direct moral lesson, a form of guidance. An atheist steeped in Christianity will read the same book, understand that it's intended to provide moral guidance to Christians, but it won't affect him in the same way. The message for him is not "here's how you might turn away from God and here's how redemption and forgiveness might follow", it's "here's what Christians think turning away from God would look like". Which is useful knowledge if you have to deal with Christians, but not directly applicable to the reader himself.

Pratchett's message is different. "How do you survive in a world where amoral beings more powerful than you do things for shits and giggles? How do you do the right thing when doing the selfish thing is easier? What even is the right thing?" are questions for which a Christian has easy answers, but an atheist doesn't.

Just like an atheist might fight Lewis interesting and useful, so can a Christian find Pratchett useful. But it's a different impact. "Oh, so that's how they justify doing the right thing! Good thing you can just follow the word of the Lord IRL."

Do you think regular normie movie goers know that Narnia and LotR are related to Christianity? I'm curious, because to me this was not obvious at all. It's just fun adventure stories in the cinema.

Narnia was so blatantly obvious that I got it as a kid. LotR is a more nuanced story, I agree, you have to dig into the lore first to see the references. Maybe it's different if you're raised Anglican.

Well, Tolkien was Catholic, not Anglican...

In general he resisted too obvious readings. He once admitted to a reader (Letter #320), "I think it is true that I owe much of this character [Galadriel] to Christian and Catholic teaching and imagination about Mary", while clarifying that Galadriel is a penitent rather than direct analogue. Here's a bit more of Tolkien on the subject.

Letter #142:

I think I know exactly what you mean by the order of Grace; and of course by your references to Our Lady, upon which all my own small perception of beauty both in majesty and simplicity is founded. The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like 'religion', to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism. However that is very clumsily put, and sounds more self-important than I feel. For as a matter of fact, I have consciously planned very little; and should chiefly be grateful for having been brought up (since I was eight) in a Faith that has nourished me and taught me all the little that I know; and that I owe to my mother, who clung to her conversion and died young, largely through the hardships of poverty resulting from it.

Letter #213:

Or more important, I am a Christian (which can be deduced from my stories), and in fact a Roman Catholic. The latter 'fact' perhaps cannot be deduced; though one critic (by letter) asserted that the invocations of Elbereth, and the character of Galadriel as directly described (or through the words of Gimli and Sam) were clearly related to Catholic devotion to Mary. Another saw in waybread (lembas)= viaticum and the reference to its feeding the will (vol. III, p. 213) and being more potent when fasting, a derivation from the Eucharist. (That is: far greater things may colour the mind in dealing with the lesser things of a fairy-story.)

That said there are definitely elements of LotR that can be read along other lines. Though it was Tolkien's intent to not depict any positive 'religion' in the text, because he thinks that a metaphor cannot include the very thing that it is a metaphor for within itself and still function, a Protestant or atheist might note that, when it does appear, organised religion in Tolkien's works is always evil. He removed most references from LotR, but in The Tale of Adanel the first demand Morgoth makes of humanity is that they build a temple to worship him:

'So be it!' he said. 'Now build Me a house upon a high place, and call it the House of the Lord. Thither I will come when I will. There ye shall call on Me and make your petitions to Me.'

And when we had built a great house, he came and stood before the high seat, and the house was lit as with fire. 'Now,' he said, 'come forth any who still listen to the Voice!'

There were some, but for fear they remained still and said naught. 'Then bow before Me and acknowledge Me!' he said. And all bowed to the ground before him, saying: 'Thou art the One Great, and we are Thine.'

Thereupon he went up as in a great flame and smoke, and we were scorched by the heat. But suddenly he was gone, and it was darker than night; and we fled from the House.

In the Akallabeth, Sauron also establishes a temple where sacrifices will be offered, which is contrasted with the simple, austere purity of earlier Numenorean worship:

But in the midst of the land was a mountain tall and steep, and it was named the Meneltarma, the Pillar of Heaven, and upon it was a high place that was hallowed to Eru Ilúvatar, and it was open and unroofed, and no other temple or fane was there in the land of the Númenóreans.

[...]

But Sauron caused to be built upon the hill in the midst of the city of the Númenóreans, Armenelos the Golden, a mighty temple; and it was in the form of a circle at the base, and there the walls were fifty feet in thickness, and the width of the base was five hundred feet across the centre, and the walls rose from the ground five hundred feet, and they were crowned with a mighty dome. And that dome was roofed all with silver, and rose glittering in the sun, so that the light of it could be seen afar off; but soon the light was darkened, and the silver became black. For there was an altar of fire in the midst of the temple, and in the topmost of the dome there was a louver, whence there issued a great smoke. And the first fire upon the altar Sauron kindled with the hewn wood of Nimloth, and it crackled and was consumed; but men marvelled at the reek that went up from it, so that the land lay under a cloud for seven days, until slowly it passed into the west.

Thereafter the fire and smoke went up without ceasing; for the power of Sauron daily increased, and in that temple, with spilling of blood and torment and great wickedness, men made sacrifice to Melkor that he should release them from Death.

Perhaps two instances are not enough to make a pattern, but one cannot help but notice that in Tolkien's world, the good guys never make temples or churches, and never have priests or monastics or any kinds of religious official. Nor do they even make prayer very often; perhaps the closest example in LotR is Faramir and his rangers taking a moment of silence to face west, towards lost Numenor, before a meal. In general it seems that heroic characters, though very much of aware of their dependence on providence and implicitly trusting in God, do not build mediating institutions. On the contrary, building a temple or establishing a religious hierarchy is an activity seen only among the villains. It is a form of idolatry, born of fear and showing a lack of genuine faith, and which only enslaves them.

Adanel again:

Ever after we went in great dread of the Dark; but he seldom appeared among us again in fair form, and he brought few gifts. If at great need we dared to go to the House and pray to him to help us, we heard his voice, and received his commands. But now he would always command us to do some deed, or to give him some gift, before he would listen to our prayer; and ever the deeds became worse, and the gifts harder to give up.

[...]

Then we yearned for our life as it was before our Master came; and we hated him, but feared him no less than the Dark. And we did his bidding, and more than his bidding; for anything that we thought would please him, however evil, we did, in the hope that he would lighten our afflictions, and at the least would not slay us.

For most of us this was in vain. But to some he began to show favour: to the strongest and cruellest, and to those who went most often to the House. He gave gifts to them, and knowledge that they kept secret; and they became powerful and proud, and they enslaved us, so that we had no rest from labour amidst our afflictions.

It's easy for a Protestant, especially an evangelical or someone descended from the Radical Reformation, to read this and say, "Aha! Idolatry! Rome!" For that matter one might be tempted to link it to the Temple in Jerusalem, perhaps echoing Jesus' criticisms of the Temple hierarchy. (Or one might take it in a more anti-semitic direction, but I see no need to encourage people like that.)

An author may end up sending messages he never intended, and this is one where I think there is a tension between Tolkien's writing and some of his own life and convictions.

I wonder sometimes about how this applies to Tolkien's very many atheist fans, to the extent of defacements like Palantir and Anduril. I suppose it's not fair to tar atheist fans of Tolkien with those abominations. Those are examples of a culture that simultaneously adores Tolkien's work, at least on the superficial level, while despising his ethics. But an atheist - perhaps indeed like Pratchett - might appreciate Tolkien's work and his ethics even while believing him to be, however understandably, in error about the existence of God or the truth of Catholicism.

It's easy for a Protestant, especially an evangelical or someone descended from the Radical Reformation, to read this and say, "Aha! Idolatry! Rome!" For that matter one might be tempted to link it to the Temple in Jerusalem, perhaps echoing Jesus' criticisms of the Temple hierarchy. (Or one might take it in a more anti-semitic direction, but I see no need to encourage people like that.)

The interpretation that seems obvious to me is that Tolkien wrote his fantasy as though it were the ancient history of our world, and being a Christian, he wrote it to be spiritually compatible with the Christian understanding of the spiritual history of our world. The Numenoreans don't build temples because in the early chronology of the Bible, God very explicitly doesn't want a temple, and they don't have churches or hierarchical religion because there's no Christian (or Jewish, or Islamic) basis for it at that point in the chronology. Sure, you can make something up, but then if you're actually describing it to the reader, you're implicitly saying "this form of worship/church/Temple/institution that I made up out of whole cloth is totally theologically valid." Tolkien can't roll his own temple or church because he doesn't perceive himself to have the authority to describe such an institution and say, by authorial fiat, that this is a proper form of worship that God finds pleasing; doing that sort of thing is generally perceived to be deeply unchristian by Christians. None of this applies to paganism; it's fine to describe all sorts of fantastical methods of being wrong about God, because from a Christian perspective there's an infinity of false theologies but only one true one.

But in the midst of the land was a mountain tall and steep, and it was named the Meneltarma, the Pillar of Heaven, and upon it was a high place that was hallowed to Eru Ilúvatar, and it was open and unroofed, and no other temple or fane was there in the land of the Númenóreans.

Here, he's directly copying biblical descriptions of religious practice in era that ends with Abraham and the Patriarchs, which is roughly where these stories would presumably happen. Simple altars in a high place are an apparently-acceptable method of communion with God prior to the Abrahamic Covenant, so it's what he uses as well. The obvious corollaries for the temples of Morgoth and Sauron are Dagon and Baal.

Yes, and that's consistent where, though I see the anti-semitic or at least anti-Judaic reading of an evil deity who demands people make a 'House of the Lord', acknowledge him sole god of the world, and worship only him, I think in context Tolkien is plainly criticising idolatry in a manner consistent with biblical convictions. Morgoth, and later Sauron, set themselves up as false gods, appropriating and perverting the imagery associated with the true god.

I don't think Tolkien's refusal to depict any religion, even primitive religion, was wholly because of his setting being framed as prehistoric Earth. He says directly, in Letter #131, that he thinks that containing 'the Christian religion' is 'fatal' to a fairy-story. This was the reason for his dislike of Arthurian legend.

That said I do also think he has a paradox in his First Age writings that he never quite resolved, which is that, quite apart from being Christian or even Catholic works, Tolkien was also heavily inspired by what he called 'Northern' myth. Turin is a Germanic hero, and his story occurs in the atmosphere of Germanic or Anglo-Saxon (or to a lesser extent Scandinavian) mythology. That means, for instance, things like Fate or Doom as powerful forces in the text. These are, for lack of a better term, 'religious' concepts. Tolkien's chronology does not allow for Christian or Jewish characters - the closest he comes is a sort of ethical monotheism. However, it would allow for pagans, but he does not allow himself to have pagan protagonists, even when the whole story he's writing is derivative of a fatalistic pagan spirituality.

To an extent Lewis has a similar issue, except that Lewis is more of a classicist and his great pagan loves are Greek. Even so Lewis allows himself to speak about Christianity and our world's religions more explicitly, so he does a bit more explicit work in trying to find points of harmony.