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Notes -
Evidence of the Vibe Shift is surfacing.
I'm a reflexive contrarian. I'm a libtard when I'm at a megachurch picnic, and a superfascist at a liberal arts college. When I watch a biopic, I tend to try to critique and read-between-the-lines so much that I walk away with the exact opposite of whatever opinions the filmmaker was trying to impart about the subject.
And lately, I'm running into stuff and feeling wokeness rising like bile in my stomach.
I took my father and mother to see Million Dollar Quartet for Father's Day. Which was good for them, it's boomer-candy, barely a play and more of a cover-band night with four performers and an mc all pretending to be from 1950 or whatever. My parents had a good time, which is what matters for filial piety. But the whole plot, such as it is, the conflict revolves around who gets "credit" for songs. Carl Perkins wrote Blue Suede Shoes but Elvis got it on TV first so now it's an Elvis song and Perkins gets told he's a cover artist! But throughout the play the artists play covers from black artists of the time, Long Tall Sally and Who Do Ya Love? among others, and don't acknowledge it; the play isn't clever enough to be doing that intentionally. Black people, who still owned Rock and Roll at the time of the setting, and they're just erased from the story here! RnB was still considered "race music" at the time! Most of the great artists were negroes! There's no way that they hung out and discussed what rock and roll music was and didn't talk about that! And I'm not asking for some woke-confession speech where they talk about stealing rock and roll, but the play would be 1000% more interesting if they did a little bit of Mad Men where they used period accurate attitudes to race to make the viewer think about the issue.
Then I saw the NYT list of greatest living American songwriters, and sweet suffering Jesus, where is the melanin at the top? Are you kidding me? Taylor Swift makes the list just even with the first negro? The highest ranked rapper is Kendrick at 17, and that just seem so wrong when hip hop has been the artistically dominant pop music form for at least twenty years. Kanye at 72 while Dolly Parton is in the top ten? I realize this is mostly boomer bias here again, but to deny the unique cultural contribution of American blacks to modern popular music is just...odd.
And I don't feel like I ever had room to think something like that a few years ago. So the vibes are shifting.
My boomer father thought Claude was being politically correct by including "Negro performers" in a playlist for a party. I had to explain to him that many great musicians are black.
The term "Negro" is something that is making my eyebrows rise, because unless the latest reshuffle of terms has brought this back, nobody uses it casually. So what is going on here?
I admit this conversation wasn't in English.
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I'm using it in my comment as an intentional anachronism to fit the period of Million Dollar Quartet and the period when music made by black people became culturally dominant across the United States and thus the world, and to signal a degree of irreverence can be maintained while still acknowledging the absurdity of having Taylor Swift ten spots ahead of any representative of the dominant cultural mode of popular music for the past twenty years.
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