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I want to talk a little bit about film and television adaptions, and why, at least in the last ten to fifteen years, they've done such a bad job at adapting the source material. The first guilty party on this front, is of course Nolan's Odyssey, which I saw this past Tuesday. While entertaining and beautiful to look at, this film failed completely to capture the experience of reading or listening to the poem it's based on. The dialogue was flat, wooden, and filled with exposition dumps. The gods aren't present in any meaningful way, other than through storms and other weather events, which can easily be interpreted through the eyes of atheist Christopher Nolan as natural phenomena. And most importantly, the characters and themes are unrecognizable. Odysseus is just Matt Damon who feels bad about being Matt Damon: there's none of the flirtatious, prideful intelligence that defines his character in the poem. Because of this subversion of Odysseus, Telemachus's character also falls flat— how can you have an effective coming of age story when you subvert and deconstruct every part of what it means to be a man/king/father figure by tearing down Odysseus?
I don't think this phenomena is limited to the Odyssey. The newest version of Wuthering Heights is basically a porno. The final seasons of Games of Thrones devolved into a nihilistic gore-fest, which the source material most certainly is not. Even the Hobbit all the way back in 2012-2014 tried to make the charming, relatively low stakes kids book into another version of The Lord of the Rings.
It's tempting for me to blame woke for a lot of these changes, and that's undoubtedly part of it. If many of the values that were historically important in Western Civilization are now taboo, of course there will have to be heavy modification of the source material. However, I don't think this is the full picture. Many of these movies are doing really well at the box office, and I don't think woke has that much cultural appeal to the average American. Rather, I think a combination of the inherent limitations of visual storytelling and the dumbing down of stories in general because of reductions in attention spans is a more likely set of culprits.
Neil Postman wrote extensively about the first problem in Amusing Ourselves to Death. Visual media neither gives us the interiority that allows us to understand a point of view from the inside, nor really forces us to engage with an artists arguments: the movie will play on with or without our engagement in it.
I don't think this critique is entirely fair. You can certainly do a lot of subtle storytelling with television and film. The problem is now that people's attention spans are so fried that you need to beat them over the head with the themes of the work through dialogue and exposition dumps. The Odyssey is extremely guilty of this, which is probably part of the reason I had such a hard time watching it.
Why do you think visual media, specifically adaptions, have declined in quality over the past decade?
I've been toying with the idea of working out whether faithfulness to the source material is correlated with quality of the end product.
Lords of the Rings was pretty faithful to the books, and an excellent series of films, while the Hobbit was less faithful and much less good, although I can easily imagine a faithful adaptation that was bad, since I'd say the main problem with the Hobbit was that it allowed Peter Jackson complete control to bring out his worst impulses.
The Dune films have been very faithful to the books and I would say good films in general.
The Watchmen film was infamously too faithful to the graphic novel and suffered for it.
Shogun was very loyal to the book and was excellent.
I can't think of any adaptations that are very different to the source material but still good, but I suspect in those cases the film/TV adaptation could end up eclipsing the original, which fades from public memory.
Excellent series of films, absolutely. Faithful to the book, absolutely not. They made serious changes to the source material in the LOTR movies, ones which I think made the movies worse off.
In the spectrum of movie adaptations, the Jackson movies (while I have my problems with them) were fairly faithful. You cannot set the standard at "nothing whatsoever is changed."
Certainly as a Tolkien überfan I wish that certain things had been done better, but there are some elements that one would never hope in a million years for that got included.
My standard is not "nothing whatsoever is changed", but I do expect an adaptation to uphold the core themes of the original work. The LOTR movies do not: one of the most important themes of the book is that the One Ring is a powerful temptation, but that there are stronger things still. Friendship, like between Frodo and Sam, is stronger than the pull of the Ring. Faramir is so dedicated to right action that he says "even if I found it by the highway I would not pick it up", and lives up to that claim. Jackson chose to discard those moments (per the movie commentary) because they didn't fit with the story he wanted to tell of the corrupting power of the One Ring, and felt they diminished that aspect. But in so doing, he eliminated one of the core themes of LOTR. That makes them not particularly faithful adaptations.
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