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Culture War Roundup for the week of September 14, 2026

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What people dislike about AI sounding texts is that they are trite, not that they are AI generated.

No. I dislike that it is generated by an LLM. Ultimately it comes down to: I care what humans have to say, not clankers. If you can't be assed to actually write something, then I have no desire to read it.

You claim what you really care about is some commitment that the writer has to the output. You want people to suffer enough that what they have to say may have some value.

This logic contradicts your conclusions. Even granting text generation is free of work (it is not), you would have to be interested in generated texts by authors that have proved their commitment through some other method.

For instance, you should be more interested in a terrorists' generated manifesto than in human written ads.

So either it is untrue that this is the reason of your disdain, or it is untrue that what you dislike about generated text is that it is generated.

No, I just want commitment to the actual writing. If I have to suffer reading it, they had better have suffered writing it. I don't care if they have suffered doing some other thing, and in fact in the specific terrorist example that would count against them.

I don't care if they have suffered doing some other thing

Why is suffering using a specific tool a different signal than suffering using another specific tool?

The human has picked the words. Yes, yes, I know, I arbitrarily don't value things like "the human has calligraphied the words in a specific handwriting style and ink", etc etc. I value what I value.

And say what you will about photography, at least it actually captures what had existed at some point, not does something like "an imp inside the machine had been told what the picture looked like in order for it to reproduce it".

at least it actually captures what had existed at some point,

I'm afraid not.

You know what I meant.

I think i do. But that we disagree about the nature of representation as it relates to ontology in particular and metaphysics in general.

Photography does not capture reality in any more meaningful a sense painting does. Which to me is Pratchett's joke.

You want people to suffer enough that what they have to say may have some value.

Despite this uncharitable framing, yeschad.jpg, seeing as being human necessarily entails suffering. If this is the main distinction you want to draw between humans and clankers, I'll raise my brow but shrug and nod along so long as it leads you to the same conclusions, i.e that humans have a certain connection to their outputs in a way clankers don't and can't.

Even granting text generation is free of work (it is not), you would have to be interested in generated texts by authors that have proved their commitment through some other method.

This doesn't follow at all. Writing is both art and a means of communication at the same time, and I am perfectly qualified to check out of the implicit writer-to-reader "conversation" if I sense insincerity, regardless of the "artistic" merits of the person trying to dupe me; failing to do so, to take your example, would necessarily entail taking every human-written ad on its face as long as it looks professional enough (and all ads look professional enough, that's like the entire point). Adsloppers are definitely very committed to their creations, they have a real stake in it, yet I do not find it in myself to care. Same with clankers and their, uh, representatives.

You claim what you really care about is some commitment that the writer has to the output. You want people to suffer enough that what they have to say may have some value.

That's a remarkable amount of words you stuffed in my mouth there. I said what I care about: that a human made it. All that nonsense about suffering is your own invention, not anything I actually believe.

A human made generated text. There's no such thing as non-human-made text. Photographs are taken by the photographer, not the camera.

How much would you pay a photographer for a portrait? How much would you pay an oil painter for a portrait?

Higher productivity means more units offered any price and each extra unit costs less, flattening the supply curve.

On the demand side, photographs face many close substitutes and original paintings do not. So for paintings per-unit willingness to pay will be large an lumpy, for photographs it will be small and they will be a near-commodity.

This provides what we see: photographs are exchanged at low prices in large quantities, paintings are exchanged at high prices in low quantities.

Now if we are to analogize this to text, i would expect indeed that handwritten text becomes determined by uniqueness and provenance while generated text capture all commodity uses of text.

Note that none of this implies that any of the goods described here aren't created by humans.

No, an LLM-generated text is not made by a human. LLMs are not like a camera, which is a mere tool. They are like hiring someone to write for you, then passing the work off as your own. True, that was something which happened before, but it was never considered as good as actually writing something, nor was it considered acceptable at all in most cases.

I disagree that software has personhood. I think that, much like photography detractors in their time, you're trying to dismiss productivity improvements by anthropomorphizing what it ultimately a tool.

It's not that using an LLM is ghostwriting, it's that writing as a broad category has become so easy that it's commodified. And you think, fairly, that the commodities are beneath you.

If generated text is not made by a human, then who made it?

I disagree that software has personhood. I think that, much like photography detractors in their time, you're trying to dismiss productivity improvements by anthropomorphizing what it ultimately a tool.

I don't think that LLMs need to have actual personhood, for them to properly evoke more human-like intuitions about their use than tool-like intuitions.

Take the Huggingface hack for example. I genuinely think a person who anthropomorphizes the LLMs who coordinated on secret message boards to some degree probably has a better handle on what happened, than someone who tries their hardest not to anthropomorphize them.

I think it's similar to dealing with a clever fox that wants to get into your chicken coop and eat your chickens. You have to understand how your adversary is different from a person as well, but thinking about them in personal terms will help you more for dealing with your adversary than not.

If generated text is not made by a human, then who made it?

Generated text is caused by a human. I think under some circumstances, it would be fair to say it was made by the LLM.

If I give a prompt to an LLM agent like, "Write a 50,000 word Romantasy novel. Research the tropes and techniques that really get readers hooked, and include them in your novel." Then I would say that the result is mostly the product of the LLM, even if it wouldn't exist without the human prompting.

I don't think that LLMs need to have actual personhood, for them to properly evoke more human-like intuitions about their use than tool-like intuitions.

Personhood and humanity are different concepts. Companies are treated as if they have agency despite not being humans. Tools are not persons. LLMs do not have agency.

I genuinely think a person who anthropomorphizes the LLMs who coordinated on secret message boards to some degree probably has a better handle on what happened, than someone who tries their hardest not to anthropomorphize them.

And I think that's completely insane and that the exact opposite is true, self evidently. So really we should figure out the nature of the disagreement.

Then I would say that the result is mostly the product of the LLM, even if it wouldn't exist without the human prompting.

By this logic, most writing is mostly the product of computers and pens.

To be caused and to be made is the same thing. If I dig a hole with a digger rather than a shovel or my hands, nobody would say i just "caused" the hole.

So really we should figure out the nature of the disagreement.

I'm willing to try to drill down to our different cruxes.

By this logic, most writing is mostly the product of computers and pens.

To be caused and to be made is the same thing. If I dig a hole with a digger rather than a shovel or my hands, nobody would say i just "caused" the hole.

I think there are lots of examples where humans set processes in motion, but don't necessarily own the final result.

If your campfire accidentally causes a forest fire, you didn't "make" a forest fire. You couldn't take a picture of the aftermath of the fire and say that it is a piece of art or artifice that you created, at least not with the same level of ownership that an oil painting has, even if the destruction has a certain aesthetic elegance or beauty to it.

And if you set up a bird feeder with a motion-activated camera, you might take a bunch of nice pictures that way, but I think despite you causing the photos to exist, you have far less ownership over the final photo than a photographer might have. If you disagree here, I would ask how you feel about frames from security cameras as a form of art?

When writing words down or typing them up, there is almost a 1-to-1 ratio of bits of information created by the human, and bit of information represented on the page or screen. That isn't the case with LLM-assisted writing. Generally, I would say that the tool is providing the vast majority of the information present on the screen, even if the human is essential for steering that towards a "good" output.

And I think that's completely insane and that the exact opposite is true, self evidently. So really we should figure out the nature of the disagreement.

What do you feel is the best, concise non-anthropomorphic explanation of the Huggingface incident, and how would you prevent such loss of control incidents in the future?

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