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Notes -
I was reading this article about Amazon Prime's streaming service:
https://www.hollywoodreporter.com/business/business-news/inside-amazon-studios-jen-salke-vision-shows-1235364913/
Mostly it's not particularly culture war related, talking about how the executives are blowing huge amounts of money on niche shows that don't bring in enough viewers to justify their costs, or paying big salaries to writers and directors that don't end up producing much.
But this part made me chuckle:
I've seen people argue that big companies aren't ideologically woke, they're just doing it for good publicity with the ultimate goal of making money. I think if that was true then Amazon would tell their producers and directors to make the type of content that people want to see: white men with guns (apparently). And if they didn't want to get on board they should take a hike. That's what a company that wants to make money would do. Instead they're trying to change their audience's preferences which is a much harder and less profitable job.
It sounds like the argument is that the pro-diversity people think the metrics are measuring the wrong thing. It's a common complaint, especially about older TV shows but also about high-budget movies, that they are targeted at the broadest possible audience so they end up being utterly inoffensive but also completely soulless. That may really be the most profitable strategy. But it's also possible the most profitable strategy is appealing to multiple narrower groups with different shows but getting them very invested. The creators of shows probably prefer the latter because no one wants to be part of a designed-by-committee production.
It's possible in theory, but it hasn't played out in practice, and all the pro-diversity people have to answer that with is denial.
I think Warhammer video games, of all things, shows that the "shotgun" approach can work.
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What metric would the pro-diversity people accept as showing them that they're just wrong? Seeing these sorts of arguments unfold in every conversation from the gender wage gap to racist policing, I get the feeling it's turtles all the way down.
But then why are all the pro-diversity productions soulless designed-by-committee schlock?
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