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Culture War Roundup for the week of September 12, 2022

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Right now, you all are probably sick to the back teeth of the discussion about Amazon's "Rings of Power", but I have to talk about this or I'll explode.

I haven't seen episode four yet, it's upcoming over here but it has aired in the US. I looked up some reviews (to see what is safe to skip if I watch this, because there's a lot of filler and not much plot in the episodes as yet) and I couldn't believe what the first one said, so I looked for a second one and yep, it's true.

The scriptwriters for episode four (apparently it's Stephany Folsom and J. D. Payne & Patrick McKay, yes our boys again) are introducing the reasons the Númenoreans don't like Elves. And - wait for it - it's because "they're going to take our jobs!". No, I swear, this is actually it.

Yes, ladies, gentlemen, and those of you who aren't too sure, a direct immigration reference. So I suppose I should take it that Pharazon is Donald Trump surfing to power on a wave of Númenorean populism which is racist and fascists, and Tar-Míriel is Hillary Clinton who is the true Queen from whom he usurps her power.

This episode, by the bye, is called "The Great Wave" because of the nightmare Tar-Míriel has about the great wave coming in to destroy Númenor, and by now it can't come fast enough for me. Excuse me while I run around screaming as though my hair is on fire, because I feel like it.

These - look, I don't want to be insulting about Mormons, but good Lord is it very, very hard to resist dropping one of the "m"s there - blond denizens of the Mountain West have not got one scrap of imagination above the banal. They cannot grapple with the deeper themes of death and immortality that Tolkien wrote into his work. Everything has to be something snatched from American political slogans. The Númenoreans don't envy and hate the Elves for the immortality they cannot have for themselves, it's because dey took er jerbs.

Let's go back to the source, shall we? From a very long and detailed letter of 1951:

The Downfall is partly the result of an inner weakness in Men – consequent, if you will, upon the first Fall (unrecorded in these tales), repented but not finally healed. Reward on earth is more dangerous for men than punishment! The Fall is achieved by the cunning of Sauron in exploiting this weakness. Its central theme is (inevitably, I think, in a story of Men) a Ban, or Prohibition.

The Númenóreans dwell within far sight of the easternmost 'immortal' land, Eressea; and as the only men to speak an Elvish tongue (learned in the days of their Alliance) they are in constant communication with their ancient friends and allies, either in the bliss of Eressea, or in the kingdom of Gilgalad on the shores of Middle-earth. They became thus in appearance, and even in powers of mind, hardly distinguishable from the Elves – but they remained mortal, even though rewarded by a triple, or more than a triple, span of years. Their reward is their undoing – or the means of their temptation. Their long life aids their achievements in art and wisdom, but breeds a possessive attitude to these things, and desire awakes for more time for their enjoyment. Foreseeing this in part, the gods laid a Ban on the Númenóreans from the beginning: they must never sail to Eressëa, nor westward out of sight of their own land. In all other directions they could go as they would. They must not set foot on 'immortal' lands, and so become enamoured of an immortality (within the world), which was against their law, the special doom or gift of Ilúvatar (God), and which their nature could not in fact endure.

There are three phases in their fall from grace. First acquiescence, obedience that is free and willing, though without complete understanding. Then for long they obey unwillingly, murmuring more and more openly. Finally they rebel – and a rift appears between the King's men and rebels, and the small minority of persecuted Faithful.

...In the second stage, the days of Pride and Glory and grudging of the Ban, they begin to seek wealth rather than bliss. The desire to escape death produced a cult of the dead, and they lavished wealth and art on tombs and memorials. They now made settlements on the west-shores, but these became rather strongholds and 'factories' of lords seeking wealth, and the Númenóreans became tax-gatherers carrying off over the sea ever more and more goods in their great ships. The Númenóreans began the forging of arms and engines.

From a letter of 1956:

The real theme for me is about something much more permanent and difficult: Death and Immortality: the mystery of the love of the world in the hearts of a race 'doomed' to leave and seemingly lose it; the anguish in the hearts of a race 'doomed' not to leave it, until its whole evil-aroused story is complete.

I don't know if swearing is allowed in our new realm of liberty and justice for all, but how the fuck do you, self-proclaimed huge Tolkien fans, read the above and come away with "Got it, the rebellion in Númenor was all about demagogues stoking fear of immigrant labour taking native jobs"????

Damn it.

This is making me feel guilt for defending the show as apolitical tripe instead of political tripe.

Well, you couldn't have known they were going to pull this. Nobody could have known. I was wondering how they were going to introduce the King's Men and Pharazon, and I never expected this level of nonsense.

Pharazon, via his mouthpiece, is stirring up the populace to hate and fear the Elves - because the Elves are going to undercut their wages and replace them in not alone skilled but semi-skilled work. The Elves are not going to come in as their lords and masters (which at least would make some sort of sense as an accusation, given the entitled, patronising and bitchy attitude Galadriel has shown so far, making demands and throwing around orders and threats to the queen herself), they are going to come in as smiths and cooks and house servants. Your son won't be able to get a job swabbing the decks because an Elf will be doing it! Your daughter can't apprentice as a pastry-chef because an Elf will get there first!

What in the unfathomable depths of Utumno is this meant to be????? Are Payne and McKay really high-fiving each other about what a brilliant, subtle, Aaron Sorkin-style political commentary script they wrote?

Wow, even Brannon Braga was able to make this dynamic mostly work in Star Trek Enterprise between the humans and Vulcans (though proceeding on the opposite narrative arc ). Where are they finding these writers?

Do not mention the abhorred name of Braga to these ears. I hated what they did with the Vulcans in "Enterprise". Sucks to be me, because I never seem to sufficiently lower my expectations. I thought they couldn't go worse than "Enterprise" , and then they gave me Disco.

I thought this was going to be dumb, but basic dumb. Not this kind of "this is so dumb, it reduced my IQ by 50 points because this is like saying sheep are carnivores and strychnine is a healthy diet drink".