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Culture War Roundup for the week of July 17, 2023

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Is This Country Song Racist?

No wait, that's a Key and Peele sketch. Here's the real song that's making headlines:

Jason Aldean - Try That In A Small Town (Official Music Video)

The song is about shooting rioters. One can argue about to what extent shooting rioters is actually a good thing, one can argue about to what extent said rioters are "racialized" as African American, but the song is transparently about shooting rioters. Just what exactly is, "Around here, we take care of our own. You cross that line, it won't take long," supposed to mean? Surely it's a metaphor, not a literal line (like say, some train tracks) right?

Needless to say, the video has been pulled from Country Music Television (whatever that means). Seems more like fake backlash than real resistance to me, but I don't know much about country music. Are these guys a big deal?

Also, my God country music is terrible. It's better than rap, but rap hardly counts as music. I'm glad Red America finally has the balls to stick up for itself, but this is not exactly art that's going to mog the cathedral.

Country and rap both have some good tracks but also a big amount of generic tracks that follow cliches, "I'm just a simple boy with my beer, gun, and truck" in the case of country and "guns, money, and pussy" in the case of rap. Well, they have guns in common.

There are only so many themes that are cool to sing about. The first full year of the Billboard Hot 100 was 1959, with the top ten being:

  1. First-hand cool and funny account of fighting in a war
  2. Cool knife-wielding criminal
  3. Song about wanting some chick because of her "personality"
  4. "The song's lyrics detail a man's plea to Venus, the Roman goddess of love and beauty, to send him a girl to love and one who will love him as well. Billboard ranked it as the No. 4 song for 1959."
  5. Lonely Boy
  6. Dream Lover
  7. French song narrates the life of someone named Jean-François Nicot who lived in a small village at the bottom a valley, starting with his birth, then his marriage and ending with his death, events all accompanied by ringing of the bells
  8. Come Softly to Me ("The original title was "Come Softly", but was changed en route to its becoming a hit. Bob Reisdorf, the owner of Dolphin Records, which in 1960 changed to Dolton Records, was responsible for the title change. He thought that "Come Softly" might be too obvious and considered risqué, so he had it changed to "Come Softly to Me." The title phrase never appears in the song's lyrics.)
  9. Kansas City. Cool lyrics like: I'm goin' to Kansas City, Kansas City here I come (2×) They got a crazy way of lovin' there, and I'm gonna get me some I'm gonna be standing on the corner, of Twelfth Street and Vine (2×) With my Kansas City baby, and a bottle of Kansas City wine.
  10. Mr. Blue

To a first approximation, these are songs about guns, money, and pussy. I guess (7) stands out as more storytelling, but is kind of the 1950s version of, "I'm just a simple guy from small town, livin' my small town life, got my honey and my truck, and things are gonna be alright".

Men like wealth, weapons, and women. Ain't nothin' new under the sun.

I mean, I think it's cool to sing about, e.g., The Moon Landing, or The possibility of Extraterrestrial life, (no, really), or the sweeping cosmic history of 'life' in the Universe.

But in that case the only genre taking on those topics is Progressive Rock.

So while I'm complete granting the point that there are a limited number of themes which are likely to generate commercially viable songs, there are whole books full of topics that might be cool to sing about.

I would argue that Country and Rap are thematically limited in part because they're inextricably tied to their culture of origin, which is to say that 'authentic' country and rap are going to be about things that were common in the culture of the respective artists that originated it.

Granted, sometimes you'll get a weird outsider who manages to pull an out-of-left-field hit.

Some days I get actively annoyed that there hasn't been any pop song similar to Bohemian Rhapsody (or others in Queen's ouvre) in, seemingly, decades.

Granted, sometimes you'll get a weird outsider who manages to pull an out-of-left-field hit.

I could stand to watch roughly 20 seconds of it before closing it and thinking to myself "Maybe the North Koreans are right".