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You did not say "no", as such i find it disingenuous of you to suddenly back-pedal and claim to care about reliability after the the fact.
Buddy, have you seen humans?
Humans are unreliable. You are a human are you not? You have not given any indication that you care about accuracy or reliability and instead (by chosing to use the trick calculator over doing the math yourself) have strongly implied that you do not care about such things.
Now if you feel that I've been unfairly dismissive, antagonistic, or uncharitable in my response towards you then perhapse then you might begin to grasp why i hate the whole "bUt HuMaNs ArE FaLaBlE ToO UwU" argument with such a passion. Im not claiming that LLMs are unreliable because they are "less than perfect" i am claiming that they are unreliable because they are not only unreliable, but unreliable by design. I know its long but seriously watch the video essay on Badness = 0 I posted up thread. It is highly relevant to this conversation.
I would be very interested to read that if you ever do a write up.
Fixed the link.
It's this one.
https://youtube.com/watch?v=NDWKRFSZlCM&t=64
This scene in the Mario Movie has NO REASON TO EXIST, they don't resolve anything, it lasts less than 2 minutes, there's no real danger, and they just solve the problem without even thinking about it, and get back to the storyline. Literally the next scene leads into the final showdown.
The whole movie feels like this.
When you moderated a forum, what did you do about posters who threatened to leave and take their valuable perspectives with them if they didn't get their way?
(I promise that thought came to mind before I realized it would come off as accusing you of doing so. I can say I hope you're not.)
You see, moderators do not have the power to keep members in a community: they can only ban/punish or not. Members have their right to decide to stay or go. And here, many left-wing posters have left not with a permaban but with a flounce: a public door-slam denouncing the moderators, and/or the posters, and/or whomever, for tolerating the wrong kinds of people too much and the right kinds of people not enough.
Or they just didn't make the jumps: there are still plenty of well-known left-wing posters from the /r/slatestarcodex Culture War Roundup days still seeming to post their same views under the new "no culture war" regime. (Speaking of which, it occurs to me this community has twice been sent off into exile, both times on account of outside demands/threats over too much right-wing activity.)
But what do you do about flouncers? The most obvious solution is to give them what they want: give them special treatment, "affirmative action for left-wingers," as Scott did on SlateStarCodex. You can do that, but, in this case, affirmative action doesn't prove effective at healing underlying divisions. The majority ends up rankled and chilly towards the officially-favored minority, it seems.
Offhand, I don't have any other policy proposal options based on the history of the Scott-sphere. Now, I thought about asking about your experience handling intractable disagreements, not as a forum moderator, but as an Israeli, but that seems like it could get really pessimistic really quickly, so maybe we shouldn't get into that.
Thats the one addition I simply cannot defend. If he can tuck his head behind the suit and be instantly bulletproof (regardless of the weapons being used against him) then whats the risk?
They used to rewrite movies until the execs thought they were good. Maybe they didn't have to do that to make money and that's why they stopped or maybe the execs that did that were replaced and the newer execs don't because they don't care or it's become harder to do something like rewriting a movie four or five times until you get something that you think is right like Gladiator. But it used to be a pretty common thing, Tom Stoppard would punch up all the dialogue in The Last Crusade or Aaron Sorkin for the Rock/Enemy of the State but I don't here about script doctors anymore and not really about things like Gladiator where they just couldn't stop rewriting it. I don't hear about studio meddling anymore, do you?
I look at things like Smile today (many days ago, I guess) and I can see that the execs knew they had a hit there with the idea alone. They got a really fancy production team on board, they got Cristobal Tapia De Veer for the music, They got decent to good actors, they marketed the shit out of it but they didn't try to fix the CW-level plot that existed in the middle for some reason. Maybe the execs that were artists themselves and could see what made something good or not are gone and now we're left with people who can only see what makes money because the two things are so far apart now. There's nobody like Roger Corman looking at your movie and telling you its shit because it doesn't have enough explosions and then shrugging and giving you carte blanche to go out and shoot the movie again with more explosions. But everyone's an auteur. There's some kind of allegory or symbolism. Can you imagine someone trying to fix the extra hour that exists in the Substance for some reason nowadays? They'd get quiet cancelled or something like that like that for "being a piece of shit."
But I suspect the main reason is that it makes no difference. Maybe it did at one point but there's no reason to try to fix Love and Thunder when it will probably piss Taika off and all the people who have to come for reshoots and you won't make any more money. Who'd want to take charge of something like that anyway? Joss Whedon was basically cancelled for dealing with the people on the Justice League reshoot and trying to get a black person to say lines in the script.
Though it's also clear that there are many major executive decisions at studios to not make things good. You can look at Amazon or Netflix, they didn't try to get good writers or even lovers of the material they were making for The Witcher or Wheel of Time. Why would Disney continue to employ Russel T. Davies to take a massive shit on Doctor Who again? Maybe its cheaper but Russel T. Davies is probably more expensive than the CW also-rans that seem to be able to get their hands on best-selling book franchises, so I expect there's a lot of cronyism or simply just lack of any understanding or care about the things they're making because known IPs don't have to be good they just have to exist so give The Witcher to that girl that wrote a few episodes of Riverdale or let's reboot Buffy with someone that wrote an episode of Poker Face. If it fails who cares we made some money and we can just reboot it again later.
Elite human capital is pretty clearly code for Bush era democrats with moderately libertarian economics. They're very concerned about increasing religious right influence(lol, LMAO even), and think constantly sounding the bugle on it is a necessity. They support gays but not trans, may have some skepticism of- but mostly a vague idea about- US foreign policy. They're very pro-abortion, very concerned about conspiracy theories. Compared to current day progressives they don't seem to care much about drugs or criminal justice much, they might even be (moderately)conservative on the issue, it's hard to tell.
Edit to add: the title of the movie was pretty awful as well. Like who (or what) the hell is “Elio”? It gives you absolutely nothing to work with, nothing about space or aliens or anything. So matching that up with the bland art and the minimal marketing gives no hook at all to actually want to go out and see it.
I don't necessarily think that was a problem, considering how well liked Coco is, but Coco has a much better hook. There are school field trips to see live musical performances inspired by Coco, for instance, which they organize around Day of the Dead.
Luca was at least very summery, and came out when the art style was a bit fresher. I thought it was cute, and my four year old liked it a lot.
My jalapeno and cheese sausage turned out well; I'm probably going to try my hand at andouille if I can bag a hog this year. It's probably my last batch before deer season opens in the fall.
Apply the same low bar consistently. Let people have an actual conversation with actual disagreement.
I am not aware of any banned person who was trying to have an actual conversation with actual disagreement. People mainly get banned for being obvious bad faith trolls who are just here to deliver drive-by insults and then vanish without making any arguments for their position.
Sure, there are some people who do that and don't get banned, but that's not quite the same thing, is it? I don't think it's so terrible to err on the side of giving people the benefit of the doubt. There are few enough posts here that tolerating a few more won't take away attention from anyone more deserving.
And for the record, I would be willing to bet that >75% of this forum is non-antisemetic (is there a word for that?) and a commanding majority support Israel over its various Muslim rivals. There are a few antisemites lurking about darkly Implying Things, but much like the leftists they tend to scurry away when you shine a spotlight on them rather than actually stand and fight.
It is not a consensus opinion that smothers dissent, it's the opposite. It's an embattled minority opinion that no one is willing to stand up and openly defend. You don't have to tiptoe around anything.
Here, watch: I think antisemetism is stupid. Much like a primitive savage who thinks thunder is caused by an angry god, antisemites anthropomorphize the impersonal forces of politics and economics. When confronted with a phenomenon they don't understand, they assume it must be caused by a cabal of scheming humans. They do this because they're superstitious idiots. They're also poo-poo heads.
I've called you out, antisemites of the Motte! I've called you all poo-poo heads! Show me how fearsome and numerous you are! Dogpile me into oblivion!
This is why the whole Elite Human Capital thing has already flashed in the pan and gone as a memetic trend. There's no register used by its proponents other than shallow antagonism towards broad swathes of (usually caricatured) outgroupers. Beyond Hanania's mild advocacy of orthodox liberal/libertarian economics, it's incredibly rare to find any positive platform whatsoever buried in all the mud-slinging - as shown on this forum by the complete confusion of many posters as to what positive ideas you actually believe. Out of politeness, I'll refrain from speculating on the psychological motives or personality types involved. But I suspect there just isn't any positive platform because, when people are motivated by one, they're usually excited to win others over, to learn how to convert with argument and rhetoric. If that's what you're trying to do, rather than sling insults because they feel good, then I suggest revising your approach.
On the other hand, if you're looking to antagonize people, here is a guide on how to do it while being as polite as possible.
A little bit, but I doubt it's very significant. Granted, I don't know much about the comics, but from what little exposure I have to Superman, I've never seen any reason to think that the way Superman behaves as a journalist is particularly Jewish. If an Irish-American guy wrote a story about a space alien who comes to Boston and becomes a cop, I wouldn't view the cop as particularly Irish-coded unless he did, well, Irish-y things as a cop. But like I said, I don't know much about the comics, so I could be missing something.
Then you are poor at evaluating evidence or unable to look past your biases. I assert confidently and objectively that you are wrong.
Okay, so why don't studios make movies for less? We know fully well it is possible; Super Mario Bros and Oppenheimer were both made on a budget of $100 million, and both did great at the box office ($1.361 billion and $975.8 million, respectively).
Why are the budgets so out of control? What possessed Disney to invest $250 million on Snow White, or Warner Bros to drop $200 million on Joker 2?
Let's try a concrete example. Excerpted from here:
65.8% accuracy isn't that great, but buddy, have you seen humans?
The state of the art for generating accurate medical diagnoses doesn't involve gathering the brightest highschoolers, giving them another decade(-ish) of formal education, then more clinical experience before asking for their opinions. It involves training an LLM.
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