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It's been a few years since I read Ancillary Justice, but I remember disliking it quite a bit as well. My main complaint, if memory serves, was that the author had some interesting ideas but never had a good story to back them up. The plot just was boring. And like you, I came away firmly convinced that the awards for the book were a diversity pick, and that if a male author had presented the same book it would've been panned.
In all honesty, at this point I would take the Hugos (and similar industry awards) to be a negative mark on a book, not a positive one.
I'm not sure I would go that far, even though I do think they've sold out. The Broken Earth series by N.K. Jemisin was particularly impressive, to the point that I gave it a full five stars, rare for me. Jemisin is a black woman, but she wrote an incredible series that really ticked all the boxes for me.
Honestly that series is what put the Hugos on the map for me, thinking they were a decent mark of quality. Other notable good winners/runners up in recent years are Project Hail Mary, 2313 by Kim Stanely Robinson, Three-Body Problem by Cixin Liu, A Dance with Dragons and Leviathan Wakes of course.
I suppose my issue is that the Hugo has a decent track record of picking pretty good books. Even if they catered slightly towards more progressive works, i.e. used that as a metric to win a close tie, that would be fine. What made me utterly frustrated with Ancillary Justice was that the book had no redeeming features whatsoever in my mind, and won out against greats in the genre like Charles Stross / Brandon Sanderson (WoT) who were runners up.
Wait, what? I'm a big fan of Stross, but if you're trying to avoid woke, he actively does not want your business (and has said as much). His writing credentials include intentionally writing a book with no straight characters because he thought it would be funny to piss off anti-LGBT people.
Looking at the 2014 Hugo Award for Best Novel (when Ancillary Justice won)... I enjoyed Neptune's Brood and Parasite but neither were exactly Hugo-bait. And the best series award was added (probably in response to the Wheel of Time nomination?) soon after since awarding a series "best novel" seems weird.
You're one of the people who thought Project Hail Mary was a good book? Nevermind, we'll never agree on literature.
You didn't like Hail Mary? But why man?! The spider people were so cool....
That was sorta the problem with it: there wasn't anything to it past cool things happening. I found it a frustrating read because I thought the premise and worldbuilding were interesting, but plot and characters were awful. The alien is just his immediate perfect ally fully aligned with his goals. Everything the main character tries more or less just works modulo some minor mishaps. Which is an easier sell in the realistic Martian but a harder sell when the author is also writing their own laws of physics that the main character has minimal difficulty with. The Goodreads reviews (filter to 1- or 2-stars) cover plenty of what I disliked about the book in more detail.
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If the writers would just write and shut up about their politics, it might work for everyone. I can't even try the Broken Earth series because of all the gushing critical praise about how this is all about racism and whiteness and men being violent to women (but if women are violent and angry that is fine and dandy). The reviews make me want more to spork out my eyes than read the books.
The Broken Earth trilogy is quite a bizarre read from a cultural perspective because of how it mangles its messaging despite ostensibly being very progressive. A straussian reading* of the book would have you thinking that eugenics is good and correct and racism is absolutely the right choice. But Jemisin's public notoriety clearly rules out that she's trying to do something like that, so you have to assume she is just really incompetent at creating a consistent political message - except that the books themselves are still really good, so I have no idea how it ended up so muddled.
*So the book is about a world that is riddled with massive, years-long natural disasters. Human towns are all organized by caste, with people set apart as good workers or breeders or administrators and so on. The towns are advised to maintain good ratios of these castes and to encourage breeding that helps this. This is never described as eugenics or really discussed within the books, it is just accepted as the right thing.
The main characters of the book are from a race blessed with magical, geomancy-like powers. This race is discriminated against harshly and called "roggers" or something obvious like that, I can't remember exactly. However, because of their power, every member of this race is basically capable of slaughtering entire towns, and children often have very little control over their powers and are shown accidentally killing other children. In this context, the fear people have of them is clearly the correct stance and in most cases it would be wise to avoid the geomancers or require them to be closely controlled.
Maybe the book's message is confused because the politics that it's trying to sell is similarly confused.
Imagine a present day book which praises BLM rioters and simultaneously complains about racism. You could read that, in an unintended way, as "racism is the right choice because black people are violent rioters".
That makes sense for the racism analogy, but I have no idea how the eugenics stuff went in there and no one, not Jemisin or her editors, noticed what it was
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I read it without getting into a ton of reviews and actually didn't think it was woke at all. I was surprised to learn there was so much controversy around it.
I wonder if that's more from interviews and such the author has given, where she's said the books are about black people being treated badly by white people and so on:
If the actual books are worth reading, because you can't tell the progressive foundation, that is surprising. And I suppose I should have expected it, that Jemisin is one of the "well ackshully I write speculative fiction" types 😁:
Le Guin might have said that one day, but when it counted, she came to the defence of genre.
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I find it interesting that while decrying the woke colonization of speculative fiction awards you still have a very high opinion of The Broken Earth series. The first book, was very obviously good, but books 2 and 3 were flaming dumpster fires. With every POV character in book 2 being boring and predictable(besides the main protag) and book 3's lore of the world having the chance to be great but fell back on being entirely cliché and unoriginal. Book 3 also had an a very predictable ending, no deeper questions asked, its themes only shallowly furrowed. I'm of the opinion that Jemisin won the first award and merit + wokeness and the next two books entirely on woke themes. However I'm super curious why you think they are good if you want to write your thoughts.
Read em a couple years ago so I can't give a really clear summary - mainly just the plot and worldbuilding with the obelisks, how they interact, the final reveal... trying to be vague but damn it was pretty amazing. I didn't find it cliche or unoriginal at all.
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I'm shocked that you had never heard of the Hugos before Jemesin. For me it was Ender's Game, which had the Hugo Winner sticker plastered all over it. That plus Speaker for the Dead were my introductions to the award, but then I looked at the winners, and found many, many great books.
The year prior to Card's back-to-back, Gibson won with Neuromancer.
The 70s were stunning with, in order starting from 1970, The Left Hand of Darkness, Ringworld, To Your Scattered Bodies Go (ignore this one), The Gods Themselves, Rendezvous with Rama, The Dispossessed, and The Forever War. The 60s were great, too:
1961 A Canticle for Leibowitz
1962 Stranger in a Strange Land
1963 The Man in the High Castle
1966 Dune
1967 The Moon is a Harsh Mistress
1968 Lord of Light
The good books lasted through the 90s, with Hyperion, A Fire Upon the Deep, Green Mars / Blue Mars, Forever Peace, and A Deepness in the Sky. It was this last one, in 2000, that marks what I consider to be the end of the predictive power of the award. In 2001 Harry Potter won, and the award had some hits in the years following (American Gods in 2002, Jonathan Strange & Mr Norrell in 2004, Rainbows End in 2007), it never really was the same, and finally died in 2013. Redshirts was about two-thirds of a good book, and had no business winning. 2014 is Leckie's book, which beat Wheel of Time. 2015 was when Cixin Liu won because his was the only book that wasn't on the original Rapid Puppy slate. Then comes three years of Jemesin, and since then we've had basically nothing but white male transsexuals and colored females even nominated, with predictable outcomes.
Blue Mars won a Hugo? How? Did they have an off-by-one error and mean to award Red/Green Mars? (Looks like Red Mars was up against A Fire Upon the Deep, so I see how it lost) ... glancing at the nominations list, yeah, okay, I guess that was a pretty weak year. Only other book I've read there is Holy Fire and I thought it was actually a good book unlike Blue Mars but I can see how it lost to the third in a series with two good entries already.
I liked Blue Mars, and while Green Mars won, Red Mars didn't. I wouldn't be surprised if it was a capstone or make-up award.
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I get what you are saying about "To Your Scattered Bodies Go" (great premise let down by lack of 'now where do I go?' plot development and poor execution) but Philip José Farmer has always been hit-or-miss, and you will either really like the Riverworld series or be mildly disappointed.
I've had a copy of Riverworld sitting on my shelf for years, worth a shot? Hearing about the later books sorta put me off trying.
With the caveat that it's 70s SF and so of its time. But it's a fantastic premise: every single human being that has ever lived (up to a certain date) has been resurrected on an alien planet beside a seemingly endless river. Who did this? How? What is the intention behind it? And by "every single human being", Farmer really means that - from Neanderthals to Jesus and Buddha. Villains and heroes both, all starting afresh with (at first) no advantages at all.
The first book sets up questions that later books don't really answer adequately, but the first one at least is worth a go. You'll know soon into it if it's for you or not.
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I must confess, I've never read it. Rama and Forever War were my two favorite from the 70s.
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There's not much truly recent that I can recommend. Kim Stanley Robinson is still publishing new works like 2312. Jim Butcher has been nominated for the Hugo a couple of times, including for Skin Game, but I'm not going to call that representative of golden age sci-fi. Adrian Tchaikovsky's Children of Time is six years old.
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I actually loved To Your Scattered Bodies Go lol. It's so insane.
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I had no idea this won! I love this book, one of the little gems I found in a secondhand store years ago. Had no idea it was so popular. That list in general is damn impressive.
Seems like you've been tracking it a lot longer than I have, though I've stumbled on a bunch of those. Not sure how I hadn't looked into the Hugo earlier. I had heard it mentioned here and there but never really took a look at the winners.
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