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Cross-posting from Small Question Sunday (with some addendcums) upon suggestion: Maybe I just missed it, but a little surprised to see no discussion of Knives Out, Wake up Dead Man on the forum given the culture war angles of the previous two (immigration, tech billionaires). Disclaimer - I haven't seen glass onion. I will avoid major spoilers but minor spoilers may be included. I wouldn't read if you haven't watched it yet and want to.
Wake Up Dead Man certainly seems to be set up to skewer the church, and conservatives, with characters including a sci-fi writer-> substack blogger who is paranoid of the "libtards", a failed right-wing politico, who is attempting to build a following through youtube videos, and Monsignor Wicks, the bombastic preacher who exclaims that he must "fight" the decay in the country as an excuse for his own failings.
However, despite this, I was drawn to the film by the character of Father Jud - a young priest who killed a man in a boxing ring before coming to the priesthood, he is a compassionate character who pushes against the excesses of Wicks while nonetheless being devoted to Christ and to his faith. He offers eloquent verbal parries to Detective Blanc's (the main character in the Knives Out series, played by Daniel Craig) rationalist, atheist worldview, and takes his vocation seriously.
One of my favorite scenes involves Blanc and Jud working to try to find a clue which involves Father Jud calling a construction company and getting their receptionist. There's the standard comedic setup of the super-talkative receptionist who won't let him ask the question they need an answer to, but the whole scene shifts when she asks him to pray for her (link here: https://youtube.com/watch?v=7VHPrO3SX5A). It's a really beautiful portrayal of pastoral care and prayer, and played straight. It seems to impact Blanc as well.
The sacrament of confession also plays a role and is highlighted in its entirety, a scene that happens due to Blanc's realizing that the moment calls for personal grace more than his grand reveals.
Father Jud seems almost more apolitical than political to me despite his opposition to Wicks and the other more conservative characters - he comes across as much more above politics than taking any particular political stand.
It seems like Rian Johnson has had a history of being religious but fell away from the Church at sometime in the last few decades.
Anyway, curious to hear what others thought of it.
I loved Knives Out. It definitely came from a particular worldview, but at least the out-of-touch liberals were a target of fun-poking in addition to the alt-right teen and conservative assholes. Plus the plot was really quite brilliant, a truly novel twist on the genre (I think?).
Glass Onion was much less good. The plot was more convoluted and less satisfying, and the characters were over-the-top culture war stereotypes. As faceh pointed out, they really just make sure that the bad guys are 100% bad and worthless with no redeeming qualities whatsoever.
I enjoyed Wake Up Dead Man, more than Glass Onion but less than Knives Out. A fairly interesting plot with explicit homages to the genre. The religious protagonist really is a good man, and he represents what is supposed to be the mainstream religious worldview, so Christianity does not come off as being mocked.
But despite the "moral clarity" that Rian Johnson tends to demonstrate in these movies, Jud's behavior at the end of the movie leaves me a bit confused, but can be explained with a boring CW angle.
[ MAJOR SPOILERS FOR THE REST OF THIS POST] Near the end of the film, Grace, the Harlot Whore, is reframed as a "poor girl." Prentice's decision to hide her inheritance (and everyone's judgements of her?) are played up as a grave mistreatment, with multiple characters muttering "that poor girl."
But then... Jud does the same thing to Cy. He hides the insanely valuable jewel from its rightful inheritor, and this is played off as a "booh yah" because that smug prick deserves it. Jud is definitely supposed to be a good guy, so first off it's wild that a priest just decides to keep a lie for the rest of his life and there's no moral conflict presented. But furthermore, this is the exact same behavior Prentice had taken vis a vis Grace, and we're all supposed to feel bad for her. I was genuinely confused about what I was "supposed" to find to be good.
The boring culture war angle is: she's a harlot whore, which is something that is treated positively in Johnson's worldview, whereas Cy represents right-wing political aspiration, obviously a bad thing. Who/whom.
Well of course, he'd use that fortune to go into right wings politics/influencer world and that would be the worst possible outcome of all.
I'm used to this happening with Johnson's movies now, though. The rule is that wealth should go to whom 'deserves' it. If the person its 'supposed' to go to doesn't deserve it, better it goes to nobody at all. Hence he could be fine with literally torching the Mona Lisa.
And, uh, the "Harlot Whore" apparently WAS perfectly fine with beating the tar out of a CHILD over mere material wealth.
Rian also snuck a little jab against the whore's father clergyman in there, making the point that no, turns out that things DON'T turn into the body of Christ when you imbibe them.
Transubstantiation is orthogonal to ingestion. Anddiamond isn’t a valid host.
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