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So there is a question that has been gnawing at me for the longest time: is PRC... Good? I mean:
I mean, there are obviously some tough things to get over (the whole free speech thing, how they handled COVID with safetyism that would make many in the West blush, all the other usual stuff), but genuinely, honestly... Following the news from China for a few years, I really can't help but envy the Chinese. Take down the communist iconography and I think that many on the right would see it similarly to Japan.
I wrote up a long high effort reply to this and then my browser app froze and when it returned the page refreshed and my in progress reply was gone. So I apologize but my second attempt is going to be shorter
1: I knew vaguely there were "rumours" about China doing forced organ harvesting. I only learned very recently the rumours are basically not rumours and have a lot of evidence. My mental model was also maybe dozens of such cases if they were real and not a conspiracy theory. The actual mathematical discrepancies suggest I was wrong by several orders of magnitude. There's a ton written about this if you Google it, I had just so automatically dismissed it as a conspiracy theory I never had. I apologize for not getting the links I originally included but it really is very simple to find.
Edit: I'll add some now
https://humanrightscommission.house.gov/events/hearings/forced-organ-harvesting-china-examining-evidence
https://www.mccaininstitute.org/resources/blog/uncovering-evil-illegal-organ-harvesting-in-china-and-the-2025-stop-forced-organ-harvesting-act/
https://committees.parliament.uk/writtenevidence/76845/html/
2: The level of censorship in China is very extreme. My penpal told me as a funny story that when they banned stack overflow the software engineers rioted and they backtracked, but in general they ban things freely and arbitrarily. As someone who does follow lots of Chinese media I get used to tv shows getting cancelled or the plotlines getting massively changed because someone decided that from now on you're not allowed to have zombies. The latest development is now you're not allowed to positively portray permanent transmigration, they think it's a suicide risk. It's very much not just the "obvious" don't say anything about tianenmen square, don't criticize the government, etc, it's constant stupid nonsense.
Permanent transmigration? Like leaving China or?
You might know it by the word "isekai". AKA that thing in fiction where people from our world go into a different world, usually unexpectedly and sometimes after death.
I've seen at least one Anglophone author use "portal fantasy" as the Western equivalent of the term "isekai". I haven't seen any use "permanent transmigration".
In my experience of n=1 reading Chinese cultivation novels, the term has been "transmigration".
"Portal fantasy" sounds misleading to me. Like it's about a world where rifts open in random places and monsters come out to be slain for loot.
No, "portal fantasy" is an older term (dating back at least to 1997) and describes works like Alice in Wonderland, The Wizard of Oz, and The Chronicles of Narnia where a kid gets transported to a fantasy land to have adventures and save the day before returning home to their ordinary lives (xkcd boils down the genre to a nutshell in "Children's Fantasy"). It's also different from the modern isekai genre, which usually involves older teenagers or outright adults dying and being reincarnated into a fantasy world, often with great powers.
There's a handful of weird intermediate works: Spellsinger has a loser adult who doesn't die, but never returns and gets great powers; Magic Kingdom
For SaleSOLD has a successful adult who could return but doesn't want to do so and is flakier on powers, Dual! Parallel Trouble Adventure has a teenager with great powers who eventually has to force his way back into the alternate world, the main Barsroom stories have an adult getting superpowers in mere irreversible transportation but a couple characters eventually end up getting Truck-Kun'd into space.But normally, yeah, there's a pretty clear division, and that's ossified a lot in the last two decades.
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As seen, for example, in Edgar Rice Burroughs's Barsoom series.
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