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naraburns  nihil supernum  1yr ago (text post)   34402 thread views

Culture War Roundup for the week of March 13, 2023

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Here's a question for you that is less war and more straight culture. What makes a piece of media truly inspiring? What qualities does something need to possess so that things based on it will be great? I don't mean this in the sense of expertly turning your IP into a multimedia franchise through judicious licensing or whatever. I want to know what happens in the case of something like Dune where licensing doesn't seemed to be handled well at all. Yet it still not only managed to spawn a great movie. It also inspired a legendary board game, hugely influential video game, etc.

What makes Dune such fertile ground compared to, say, Lord of the Rings?

20 years ago, it was LotR getting the Hollywood treatment while Dune was the flagship for an existing player's first forays into the miniseries format. How the tables have turned! Though Frank Herbert's Dune was well-received, probably because it occupied a sweet spot between passion projects and big budgets.

I'd say good media is the intersection of a decent premise and an artistic vision. Since we're talking about adaptations of famous works, the premise is already met. Then it's up to the director/producer/etc. to make a cohesive piece of art rather than a checklist. I know that's kind of a cop-out, but...that's the key. Design by committee reduces the risk of outright bad media at the cost of some of the good.

There's a whole other argument I want to make about market share, deconstruction vs. reconstruction, and postmodernism, but tonight is not the night.

Design by committee reduces the risk of outright bad media at the cost of some of the good.

Is is frankly astonishing to me how expensive some movies are and how few people are responsible for the artistic vision, even if it is a committee. It's even more astonishing if it's just left up to one producer. How is this kind of trust formed at all?

There's a hidden assumption in your astonishment that spreading the responsibility to more people would make movie production safer from a financial perspective. Is there a reason to believe that?

Indeed, some works shine thanks to the Auteur Theory.

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