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Surely you are not suggesting that it’s not possible to reason probabilistically about who is more or less likely to shoplift? I don’t think anyone believes that it is possible to definitively rule anybody out, but I would be shocked if it’s not possible to draw useful and reliable conclusions about whom to devote more resources to focusing on.
Demographically no, behaviorally on the other hand...
I half suspect that the prog preoccupation with idpol and demographics stems from an underdeveloped sense of social awareness. IE that in lacking the normal predator/danger sense and background theory-of-mind they find themselves defaulting to coarser easier to read signals.
Related: we have deliberately and accidentally managed to make almost every way to read social class in strangers more difficult and unreliable. Imagine this scene from My Fair Lady, or its equivalent lines in the inferior Pygmalion original, today. The entire concepts behind the play almost don't make sense in today's world.
The modern upper class, such as it is, uses constant negro and lower class slang. The pattern of speech can be distinguished over time, but not cleanly and easily. It will take a minute or more of conversation, in a lot of cases, to reliably place someone as rich or poor, and hours to place them in a decile unreliably. Accents are muddled, or affected for gravitas. Where the Scottish Enlightenment philosophers specifically took classes to eliminate their accents, the modern upper class affects accents to seem plebeian.
Where fashion conscious they dress in fashions drawn largely from hip-hop, which in turn derive from street gangs and prison culture; where slovenly they dress in ways so pointlessly indistinct as to be unreadable. Unless one is very adept at reading branding, one cannot at a glance tell who is rich and who is poor. Where in Victorian England the clothing items chosen, the cleanliness and state of repair, the quality and thickness of the fabric, the cut, would all tell you instantly someone's social class. White collar and blue collar mean nothing with the abolition of dress codes in offices and the tendency for office workers to dress like Lumberjacks for fashion purposes. Tattoos are basically as common on young ivy leaguers as they are on bikers these days.
As a result, where in olden days one could rely on reading individuals by class, many now fall back on race, because skin color is one of the few things that can't be altered.
Sir, this insult to the great work of Bernard Shaw unsullied by the "musicalification" needed to make it palatable to the common mind shall not go unchallenged. I demand satisfaction!
(Though you have to admit, Hepburn was resplendent in the film, but she was resplendent in all of them, so that doesn't get it any points)
God forbid anyone jazz up a dry-as-dust social farce with several of the best songs in the entire Western musical tradition. No, we can only deliver messages by having everyone stand quietly in a drawing room and exchange their views. Shavian "humor" indeed.
Seriously, Pygmalion is a fine work, but the musical is superior. The songs have at least three absolute bangers, the kind of stuff that gets played without reference to the musical and has become part of the American Songbook tradition: Wouldn't it be Loverly, The Street Where You Live, and Get Me To The Church On Time ((Which I also force everyone to listen to before planning any Bachelor/ette party: if your party doesn't meet this basic theme it is a complete failure, a Groom Shower for mincing pussies not a proper Stag)). Then the next tier of plot specific songs all make for great reaction youtube links, Why Can't the English, A Little Bit of Luck, Just You Wait, You Did It. The music is fantastic, a classic in its own right.
Then, the plot changes. The Frasier-Crane-Ass naysayers have always argued that the musical's happy ending is a betrayal, ruins the oh-so-serious dark complexity of Shaw. Codswalllop. Shaw's original was, dare I say it?, too woke. It's a feminist fantasy, where once educated Eliza must become self-actualized, free from her prior restraints, independent and determined to live her own life. Women universally prefer the musical. Because that is the way that a woman would really act if she were carved from marble by a man she'd be under his spell and never really escape. Rex Harrison is the sexiest man in the universe to most women watching the play, why would Eliza leave! The play has a too optimistic bluepill view of female and human nature, the musical corrects it.
Lol this must sound crazy to anyone who hasn't seen My Fair Lady:
"Alright fellas, we've got a dozen bottles of tequila and bourbon, an eightball of speed and a bus load of hookers is on their way up. Pop on the My Fair Lady soundtrack and let's get fucking nuts!"
In the planning stage lah.
I HATE getting dragged to a Bachelor party that has been so totally neutered to avoid pissing off the fiancee that it's just a hangout. The whole concept is that it's one last night out with the boys before getting married, if it is entirely things that you're allowed to do after you get married then why are you fucking dragging me out to Nashville or Asheville or whatever. I kid you not: somebody tried to get me to go on a fucking GHOST TOUR as part of a bachelor party.
Then you have the guys who are so petrified of speaking to another woman that we have to go out into the woods miles from anywhere at all and drink so much expensive bourbon that someone almost dies. Which I don't ENTIRELY object to, but don't entirely like either.
Bachelor parties should feature a mix of bars, nightclubs and strip clubs. The groom-to-be should engage in some minor activity that he would not engage in once married. If no one is seeing, or at minimum brushing against, some breasts then it is a waste of everyone's time. We should be in various places where everyone points at the groom-to-be and says he's about to get married, and women in the place at least play at trying to seduce him away from marriage, attention which he enjoys but resists.
Hence the song! It's the perfect outline of everything a Bachelor party should consist of rightfully. Drinking, song, dance, loose women, a controllable modicum of risk. If you lack one or more of those elements, don't drag me on some cockamamie Groom Shower for your fat fiancee's instagram.
Bachelor parties have been getting progressively more depressing over the past decade. To be honest, I kinda wish we could go back to the days when some guys wouldn't want to go to strip clubs because it would make their insecure fiance uncomfortable - at least I can understand wanting to compromise for your loved one (although I don't think it bodes well for the relationship).
These past few years I have noped out of two bachelor parties which refused to go to a strip club or hire a stripper because it would make the groom uncomfortable. In my opinion someone who still blushes at the sight of a nipple isn't ready to get married. Like, I get not being interested in strip clubs - I'm too cheap to venture into one outside of special occasions like a bachelor party or an 18th birthday party - but like you said, a bachelor party is supposed to be about doing things you aren't supposed to do once you are married!
Unbelievable. Such a tremendous amount of soy.
I wonder to what extent this has resulted from the parallelism: it's assumed that both bride and groom will have a Bachelor/ette and that they will be equivalent.
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