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Culture War Roundup for the week of November 10, 2025

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There is a reason why Yud was pissed or let's say motivated enough, to create a non-moronic version of Harry in his own fanfic.

You think Harry Threenames is non-moronic? The little I read that was quoted about how great this new version was and everyone should read it made me want to slap the face off him and hope that he'd be eaten by a magical creature the second he did his "haw haw, I am Big Brains Know It All" performance about knowing magic better than adult wizards and witches despite never hearing of it until ten minutes beforehand.

EDIT: I know, I know: everyone says it gets better in the later chapters, Harry stops being such a brat, and EY deliberately wrote him like that at the start. I doubt that part, I think EY was writing Haroldus Potterus-Evansus-Verresus as a self-insert about being a boy genius autodidact whom adults didn't understand and so feared and bullied him and that's why it's okay if he bites his teacher during a meltdown while his legal guardians only laugh it off, and only due to reaction while writing the webserial about "Hey, Haroldus The Magnificent And Always Perfectly Correct is a pain in the you-know-what" did he tone it down. Like ST Enterprise etc., 'it gets better later, trust me' was too late, it had lost me by then.

Harry Potter is written in the traditional British children's fantasy fiction mould. So of course he's the gender-swapped Cinderella at the start. Of course he and a small band of friends go off adventuring despite the grown-ups trying to keep them out of trouble and abiding by the rules. For the non-magical version, see The Famous Five by Enid Blyton (an astoundingly popular British children's author of yore, during the 30s-50s) and the various boarding school stories for both boys and girls.

For the fantasy version, nearly too many to mention, from E. Nesbit to Alan Garner onwards, plus all kinds of TV shows (e.g. The Worst Witch based on a novel series first published in the 70s). Rowling isn't unique or novel, she's writing in a well-established tradition, but she successfully cracked the global fame formula.

The books in the series all focus on Mildred Hubble, a young witch who attends Miss Cackle's Academy for Witches, a school of magic. Although well-intentioned, Mildred's clumsy personality leads the girl to disastrous situations, and she is thus considered the worst student in the school. The benevolent headmistress, Miss Cackle, is generally understanding, whereas Mildred's form teacher Miss Hardbroom thinks she just is not trying hard enough. Mildred's friends include Maud Spellbody, a rotund, sensible girl who is always trying to avoid confusion, and Enid Nightshade, a practical joker who is more likely than Mildred to get them all into trouble. The three girls have a strong rivalry with Ethel Hallow, a high-born, snobbish and vindictive classmate.

All good points including Evans Veres also being a huge dick. I am not against children's literature - I am quite a fan of The Three Investigators and they did dumb shit constantly, including going against dangerous hardened criminals alone or crawling into unknown dark caverns just because. I am not at all against the genre and it was not necessarily meant as a criticism of Harry Potter which I also like quite a lot. It was more to point that Harry being moron is a fact and most heroes of these children books are quite self-aware of that.

Yes, Harry Potter acts sort of like you'd expect a kid like him to act: he goes from being the neglected unwanted encumbrance to a world where he's special and famous and treated as exceptional. It's be a very rare person whose head wasn't turned by that! Also, the rule-breaking makes sense given the way he was raised under arbitrary and unfair rules; he has no reason to think the adult authorities in his new life have his interests at heart, and it's obvious from the start that at least one of them (Snape) is actively out to get him even if that means abusing his authority. He wants to be a hero, to soak up all this adulation and special treatment that he's been craving all his life, and it's down to him being basically a decent kid and making the right friends that manages to steer him along the right path. He probably also doesn't have a deeply-felt belief in the dangers of the magical world being real; he's spent the first twelve years of his life with "magic isn't real" so it's hard to break that conditioning, deep down he won't really feel like "this is real and this is dangerous" until he gets more experience of living in that world. He can do magic so that will save him, right?

He grows up during the series, and being an obnoxious teenage boy is a natural part of that. EY's version, however, was Big Special from the start, indulged by his guardians (when a clip round the ear was what was needed), and an obnoxious brat due to his belief in his own genius and that he knew everything so magic couldn't be right and if it did exist then it had to run on what he deemed to be the rules. What everyone else told him was wrong, because it just was, because they weren't smart like him and didn't know Science like him. If he could have been toasted to a crisp by a salamander within ten minutes of arriving at Hogwarts in that world, I'd have cheered. Maybe he got some of the arrogance knocked out of him in later chapters, but I loathed him in the early ones so much, I wasn't going to stick around for more lectures on Rationalist principles from the author insert.