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Notes -
Shane Gillis and the Limits of Credentialism
Shane Gillis is being criticized for an SNL monologue joke about women wearing unseemly attire at the gym — this alone is totally uninteresting cw fodder — but the question of credentials got my attention. A number of the women offended at his joke have invoked their credentials to explain why Shane Gillis is obviously not a good comedian. A uniquely qualified student of comedy invokes her prestigious internship with a smirk to inform you that she knows about comedy. A graduate of comedy writing believes that her classes permit her to speak with haughty authority on comedy. A former working comic explains from a “craft perspective” why Shane Gillis’ joke didn’t work. Of course, none of these people have even vaguely approached the level of popularity of the critiqued comedian. For the sake of argument, let’s suppose that the foremost credentialed comedy expert in the world has made such a criticism: Harvard undergrad in writing, Princeton PhD in comedy studies, highly published in the highest-impact comedy studies journal. How seriously should we weigh the view of the credentialed against the comedian?
I am tempted to say that the credentialed should have zero weight added to their opinion due to their credentials alone. The only credential in comedy is whether you know how to make people laugh. It would be epistemically arrogant to think that “comedic authority” could ever be bestowed upon a person by way of credential when we barely know the origin and social purpose of comedy to begin with. I recently came across a cool study and overview of one set of theories on humor published last month (the intriguing bits in bold so you can skip through):
The Contents and Function of Humor Among Hunter-Gatherers
There are many branches of discourse to swing off from here. Did Shane’s norm violation go too far in the eyes of some women, thereby evoking their ire? Did some women misinterpret of Shane’s monologue, though filled with abundantly placating self-deprecation? Or perhaps it was clipped and they didn’t see the full monologue? Is there reduced social trust and affiliation between the genders? Has the dating crisis gotten so bad that a woman wearing lingerie underwear at the gym approaches the untouchably sacred? Was Shane’s humor better off in the company of only other dudes? Are women just not very funny (this is no laughing matter)?
There’s something else worth exploring here. If the above theories are true, then comedy seems tied to social intelligence, at least within the “competitive” comedy circuit. Humor is an accurate signal of a person’s ability to “socially read the room”, to know where others stand on trust / affiliation / values / sensitivities. This is interesting because comedic skill seems to be unattached to IQ. The most popular comedians are not at all the smartest, in fact many do poorly in school, like Gillis / Louis CK / Theo Von. There is no actual “Harvard undergrad in writing, Princeton PhD in comedy studies” comedian, and I don’t think this is from a lack of trying as it’s the perfect job for a trustfund kid and provides an extremely glamorous social life. I wonder if this is evidence for a social intelligence not adequately predicted by g factor?
And maybe one more thing worth considering. If comedy is the measure of affiliation and trust, then the oft-criticized KillTony (I mean criticized by left media) is actually a wonderful vehicle for national unity. Having men, women, foreigners etc all criticizing each other in offensive ways to laughter is the exact utility of humor you’d want if your interest was to increase affiliation and trust between citizens of different backgrounds.
Um... you are posting a jab against credentialism, and yet with straight face consider academic success in the mandatory battle royale gulag as a measure for smartness?
The overreaction to this fairly mild joke is brutal - I don't know why the observation that there are more camel toes in a modern gym than in a zoo struck a nerve. And even less why said nerve was so exposed. I think because it was the offhand way the comment was delivered - not only he did what modern blue tribe hate the most - being judged, but that he dared to make this judgement not a center piece of the monologue or even the joke. A fat unattractive straight guy has the audacity to think so little of their hypersexualization attempts, that he give the hot jacked gay guys more screen time than to their vaginas. The ultimate insult.
Credentialism except from telling something about the mindset of the person with the credential - the more indifferent said person is about the piece of paper, the higher the chances of real brain functioning behind the eyes. The moment you say - I have a bachelors in something, which means you should take me seriously, you know it is safe to discard their following sentences.
A friend of mine, and me graduated from really high end and very selective school for gifted kids. That is actually one of my achievements in life that I really hold dear. She continued with the academic path, it took me more than 15 years to get a bachelor's. She really likes to lean heavily into her various diplomas when discussing stuff - both from - I have studied this so I know more than you, and life owes me a bit of nice things to happen to me because I am educated angles. So I had to snap at one point with "Look - you think you are smarter than the others because you graduated X, I graduated X because I thought I was smarter than the others. We are not the same." . It didn't land as well as the Shane's whore joke did.
As an offtopic - the step by step episode where Dana and Cody are into di.. SAT scores measuring contest, to which Cody is even unaware he participates in is one my favorite.
The expansion of credentials has been a disaster. Most credentials are useless, and in fact most outside of highly technical degrees are almost an anti-intellectual signal. The degrees do not, generally, require any serious rigor, no real achievement, and therefore are mostly ways for the schools to admit more dummies to study things that don’t matter in an environment where failure is almost impossible. Comedy should not be a stand alone area of concentration in a college. Very few humanities programs have serious rigor, and even those that do serve no useful purpose.
People who want to work in writing or comedy or art or music would be much better served to major in business to manage their career and do the work of learning the craft on their own in places where they get meaningful feedback from the future audience for their work. It’s not useful to become a good comedian to study it in a classroom and read theory. You need to get out in front of a crowd in a bar and fail until you learn how to read the crowd and tell jokes that land. Or play music in seedy bars until you learn to put on a good show.
I don't think "technical" is really the right criterion here. I'm an engineer, which is plenty technical, but that doesn't necessarily say much about my ability to do any particular job. In some ways it's more of a qualification to learn how to do a job than anything else.
I mean, I know a fair bit of university math and have some basic university-level knowledge in a bunch of technical fields, with a bit more in one specific area. But the main thing my degree tells an employer is that I'm reasonably intelligent and capable of putting in the work to learn difficult things.
I've had plenty of colleagues without engineering degrees who were about as capable of doing the same jobs. Maybe my education prepared me a bit better (in fact i would argue this), but it was hardly some strict prerequisite.
That's pretty different from studying something like medicine or law, where the degree is much more directly tied to a particular profession. My competence base is pretty broad and nonspecific, and a lot of what I actually need to know for my job is stuff I learned afterwards anyway, or could have learned through other routes.
So I guess my point is that there's a much more meaningful distinction between degrees that actually qualify you for a specific profession and degrees that mostly give you a foundation to build on. Whether they're technical or not doesn't seem like a particularly useful way of making that distinction.
I think you're significantly underestimating how much of required engineering is actually learned in university (or you're overapplying the American liberal arts college generalism to everywhere). A random mechanical engineer is going to know fuck all about DSP and I, as an electrical engineer, would be completely lost if I had to do a stress analysis of some motor part.
I am not. I'm saying that most engineers are actually not working in hardcore engineering in their subfield.
There are career paths as an engineer that actually depend on the technical specialization of said engineer but those are far fewer than the vaguely technical generalist roles that absorb engineers of various different backgrounds and some people of other backgrounds as well.
Engineering frequently works as a sort of finishing school for the non-retarded.
I’m not talking about hardcore engineering but basic stuff. Show a circuit to a civil engineer and they have no idea what’s going on. That is hardly ”hardcore engineering” (and frankly neither is basic DSP - it’s normal third year stuff).
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