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Notes -
Saltburn as a Critique of Privilege Discourse
Full of spoilers, just don’t read it if you plan to watch the movie later.
Saltburn is an excellent film in the Sex-Thriller Dark Academia vibe genre. Interestingly, for a movie where the protagonist engages in incest-adjacent homoerotic sex, fucks a grave, and hangs a lot of dong, it’s a deeply conservative movie in message. In my mind the philosophy of the film isn’t in Ollie’s speech about the rich “having no natural predators” and thus being vulnerable to attack by an upper middle class striver like Ollie. Rather, I think Farley’s monologue to Ollie earlier in the film, at the birthday party, when he tells Ollie:
The film is largely about celebrity and privilege discourses. Celebrity culture is of course most vicious in the British tabloids. Think of the life and death and afterlife of Princess Diana: made miserable and made immortal by gossip columnists, given power and forced to endure public ridicule, driven to death by the paparazzi only to become the subject of award winning books and films and prestige television decades after her death. We had to have her, desired her, wanted to be her, and we hated her and were jealous of her and felt she didn’t deserve what she had, and our hate and our adoration killed her, suffocated her, and once we’d driven her to death we fuck the grave, we masturbate over her remains, we always want to comb over the ashes again and again and make another retelling of Diana’s story. The same with Marilyn Monroe, with Brittney Spears, with Aaron Hernandez, with Mac Miller. We want to tear them down, we drive them to insanity, to death, and then we are left with the memories. We create these powerful celebrities, we worship them, we destroy them, and after they are destroyed we talk and talk and talk about them because they were the interesting thing. Philadelphia sports media worshipped Nick Sirrianni and Jalen Hurts when they were lucky, and they couldn’t wait to sharpen their knives to tear them down once they got unlucky. One of the most primitive urges, anthropologists theorize that the first kings were sacrificial, that the power of the king was in his extinguishment, as a scapegoat or as a victim.
Privilege discourse is the same. Ollie play-acts as impoverished, but he is upper middle class. Uses the mythology of struggle, uses a critique of his own class, as ammunition to get the attention of the true aristocrats. Ollie is a freshman at Oxford, from an upper middle class family, he has every opportunity to build himself a good life*. But as much as he attributes his success to his willingness to put in work, Ollie does all this to avoid working. He doesn’t want to build, he wants to be handed things, because he perceives other people having been handed things. He struggles not against oppression or misery, but against anyone anywhere having it better than him. Privilege discourse is all about the upper middle class, the college educated, critiquing those a little better off than they are. It is rooted not in oppression but in jealousy. The Marxist doesn’t seek to critique the rich for their existence, but for the oppression of the poor. Privilege discourse was built around critiquing the easy lives of the perceived favored races, rather than complaining about the oppression of the disfavored races. It’s not coincidence that it appeared as actual brutal repression started to slack, particularly for the ivory tower academics who wrote these papers. The shift from a dynamic of escaping a misery that one was forced into, to a dynamic of criticism, of jealousy of the perceived easy lives of others, has been the fuel for so much of the culture war. In a nod to Hlynka, the flavor of the discourse is visible in the Grievance Politics wings of both Tribes. So much of Red-Pill adjacent discourse is oriented around this idea that women live better lives than they deserve, not active bad things happening to men.
College students know the dynamic: the law school WoC Collective has ten members and nine of them are dating white guys. So much of racial discourse is bound up in [weird]( sexual tension. Even moreso among the queers, they want to destroy the straights even as they just after them. People who allow their lives to be consumed by hostility and jealousy, they want the target of their hatred, they want to be them, they can’t live without them. This extends to the phenomenon, in so many post-colonial countries, of National Liberation Parties that never move past their revolution. Revolutionary leaders, and their heirs, continue to dominate government decades after their putative victories. They dance, naked, in their conquered mansions; but they have nothing to give their people but reliving their golden summer of revolution. The populists demand entrance into the commanding heights of culture controlled by their enemies, but they can build nothing once they are there. The revolutionaries, the barbarians, can’t build, they are culturally sterile. They lust after those happier than they, they dream of tearing them down to earth, of taking away their unearned privileges. But hatred is all they have. They can’t build anything after they capture the world they lusted over, they can only dream of their victories in the culture war.
Jealousy is the core of privilege discourse, and of celebrity worship, and jealousy is ultimately sterile, it does not produce but only destroys. Farley’s prophecy to Ollie comes true darkly, not with Ollie being banished from Saltburn and living a middle class life where he still dreams of his hand job on a hay bale, instead with Ollie taking control of Saltburn and gaining nothing from it. His life will always be devoted to that one golden summer he was at Saltburn with Felix, no matter what else comes of it. That summer with Felix becomes the peak of his life, by his jealous obsession and efforts to destroy and steal it. At the end of the film he dances naked through the halls of Saltburn, is that nearly as satisfying as his one golden big boy summer? Ollie can’t produce the experience of Saltburn, he can only murder it, and then masturbate over its grave. This was the experience of the barbarians who conquered Rome: they could destroy Rome, but they could not reproduce it. Most of the Germans and Goths and Vandals who destroyed the Western Roman Empire first sought entry to Rome, sought to become part of the empire, to enjoy the wealth and grandeur that was Rome. They destroyed Rome, but they couldn’t live in it, because they couldn’t reproduce the institutions that built it and ran it. Cavafy writes:
...
The barbarians are a solution for the civilized, but so was Rome a solution to the barbarians. The existence of the barbarians in Cavafy gives the possibility for the people to see an apocolypse , to give up on working on their problems, to stop legislating, to just wait for the worst. But Rome was a solution to the Barbarians, it organized their society, it gave them something to strive for, to organize themselves towards, to pillage. The destruction of the Western Roman Empire wasn’t the glory of the conquering barbarians, it was their degeneration, their slow downfall into a morass of chaos.
"jealousy is the core of privilege discourse..."
Interesting. This seems at odds with the analysis of someone like Wesley Yang, that privilege discourse is a rhetorical weapon of the strong, a clever and perhaps counterintuitive domination of the weak. The "successor ideology," or the new way the upper class advances itself.
So, a jealous upper class?
Yes. An upper class that uses a complex theology of privilege to obfuscate. A world of the top 10% jealous of the 1%. The Atlantic and the NYT Sunday Magazine aren't working class organs, the grievance studies departments churning this shit out aren't at community colleges. The people forming these views are factually upper class, -ish, but they're jealous of those who have it even better and want to tear them down.
Ollie, within the film, is well-off, a freshman at Oxford. He isn't as rich or as popular as Felix and Farleigh, but he is so immensely well off with a great future ahead of him. But once he sees someone who has it better, it attracts and incites him, he has to have it, his own lot in life seems terrible by comparison.
Privilege discourse is driven by students who get into great universities, like they were told to, and find that everything isn't handed to them.
Are Davos people jealous? Are they the 1% or the 10%?
I'm probing as I'm curious how this reconfigures political understanding. So, a right-populism that hates the top 10% virtue-signallers - but only superficially for class-based reasons, as it's really cultural and psychological - and is joined by the top 1% the loser top 10% are jealous of. Which raises the question, why are the top 1% not also virtue signalers? Do you really stop seeing successor ideology antics at that strata?
One of the flaws of our culture, oft noted, is the lack of self confidence of the elites. One of the ways this manifests is that no one claims elite status, everyone is jealous and oppressed. No one is the Blonde Beast, everyone is the nebbish loser who doesn't fit in.
Not just the 1% but the 1, Elon Musk is jealous, perceives others as getting things he deserves, as having unfairly easy lives. Throughout the tippy top upper classes: Trump, Ackman, Adelson. Nowhere do we find the easy self assurance of the aristocrat. We find grievance.
Our culture is in disarray because the trads are rebellious and the rebellious are defending tradition.
It's not a lack of self-confidence so much as an overabundance of confidence. Our "elites" are not intelligent people. They're idiots, and that there is the problem.
such comments are against rules of themotte. and what exactly do you mean by 'intelligent' here?
I mean ability to process new information and adapt to changing circumstances/scenarios.
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Davos is quite a bit narrower than the 1%, they virtue signal all the time, and the right hates them.
Davos is a combination of whoever happens to be in power at the time (typically elected) and people who want to sell them things (bankers, consultants, lobbyists, think tanks, assorted corporates).
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