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Have we discussed the live-action remake of 1937's Snow White and the Seven Dwarfs since it came out?
In an effort to drum up business my local theater is running a promotion that includes free movie tickets for spending money at local bars and restaurants. While it's not something I would've spent my own money on, I elected to use one of my free movie vouchers to see the new Snow White because I was curious, and wanted to form my own opinion of it.
I expect most readers of this thread have at least a passing familiarity with the various controversies surrounding this production and more knowledgeable people than I have already done the business and Culture-war narrative side of things to death. So I'm going to focus on the on-screen product.
As a movie Snow White is solidly "Mid". Not good, but not terrible. The writing, acting, and set-peices are all passable. The humor is bland and inoffensive, and the songs are mostly forgettable. Gal Godot may have the dramatic range of an Electric SUV on 5% charge, but "Sultry Femme Fatale" is well within that range, and she seems to be having fun vamping it up (As is often the case the "villain song" is one of the better ones). To Rachel Ziegler's credit she sings well and serves adequately in the role of "pretty princess" / "coquettish ingenue" coming across as substantially less "Girlbossey" than I had expected given her off-screen persona.
The movie wastes no time establishing it's left wing-wing politics. The opening song and dance number is essentially all about how wonderful life is when people give according to their ability and receive according to their need. The word-play between "fair" as in "light-skinned" or "pleasing to the eye" and "fair" as in "fair use" "fair trade" and a "fair contest" is a recurring leitmotif throughout the script and it gets established in this bit.
Because Disney princesses are not allowed to have a mother the good queen falls ill and dies at the end of the song which is when a wild Gal Godot appears. She is a beautiful noblewoman from a far-off land across the sea whose people, covet wealth, power, and beauty above all else, and have magical powers. The King (Snow White's dad) is naturally smitten and immediately marries Gal Godot presumably because she is wealthy, powerful, and looks like Gal Godot.
In her new position as Queen, Snow White's stepmother immediately begins to subtly corrupt the Realm and remake it in her own harder and more covetous image (think Pottersville versus Bedford Falls in It's a Wonderful Life). In case you haven't picked up on it yet, Snow White's canonical origin story in this movie is about a virtuous and happy left-wing government being subverted and taken over from within by an evil Jewish woman through a combination of sex-appeal, blood magic, and propaganda.
We skip forward an indeterminate number of years, Snow White has been kept cloistered in the castle "because it is not safe". The evil queen Gal Godot has been sowing fear about a nebulous threat on the southern border as an excuse to get Snow White's Dad out of the picture and to crack down on dissent. (I wonder what that was intended as an allegory for?) Snow White catches a thief named Johnathan played by Handsome McStrongJaw raiding the Castle's pantry, and he informs her that life outside the castle walls is not all sunshine and adorable woodland creatures. Snow White's response is to inform the Queen. You see, if only the queen knew what was going on she would put a stop to it. Johnathan is arrested and put to death, but Snow White helps him escape the castle because this is a Disney movie and he is the designated love-interest.
Snow White is getting a bit too uppity and too "fair" for her own good so Gal Godot convinces the one black guy in the palace guard to take Snow White out to the woods and kill her by getting all up in the guard's personal space and offering him anything he wants. Black guy takes Snow White out to the woods to kill her, but he gets cold-feet and decides to tell Snow White about the whole murder plot because she was nice to him and asked him how his day was going.
Snow White flees into the enchanted wood where she meets the Seven AI-Generated Dwarves we are all familiar with from the 1937 original. After some hijinks and another musical number the Dwarves inform her that the enchanted wood is also home to Seven Bandits. A troupe of erstwhile actors who are plotting to overthrow Gal Godot and have recently been joined by our "prince of thieves" Johnathan. Snow White sets out to find them and a bunch of stuff happens without any real rhyme or reason. There is singing, there is dancing, there is peril, but none of it really effects the plot or evokes a feeling.
The proverbial "final battle" of the movie is Snow White and the Seven Bandits leading a protest march against Gal Godot that ends with the Townspeople and Palace Guards
all drinking a pepsiturning on the queen and reinstating the socialist order from the opening musical number.In conclusion, for what is otherwise a very bland and boring movie in the watching there seems to be a lot going on. And im curious to hear other people's thoughts on it.
I also find it funny that what is easily the most "woke" movie in recent memory could plausibly be interpreted as endorsing dissident right ideals, Jews Bad, hereditary monarchy good, "the people" are sheep, etc...
I've been following the commentary around this movie in a desultory way for the past couple of years. So far it seems like it's doing very sluggish opening business, and because it's been delayed so long and gone through so much re-writes/add in CGI, the budget has ballooned and Disney is allegedly facing another box office bomb.
I think the main problem was Zegler shooting her mouth off. She's very young and would have been even younger when the movie originally went into production, but trash talking the original cartoon, claiming the central romance is creepy stalker and Snow White Don't Need No Man, and joking about the main male lead being written out and edited out completely, as well as "now 'who is the fairest of them all?' means 'being powerful and ruling fairly and not needing no man'" does not sell the movie to families wanting a traditional Disney movie they can bring their kids to.
Updating something from 1937 isn't impossible or a bad thing, but they should have put a muzzle on Zegler. Add in the delays and the unforced errors about replacing the Seven Dwarves with the Seven Persons Experiencing Unhousedness (who now turn out to be the merry band of thieves in the forest led by the prince who is no longer a prince but a bandit chief this time round) and then having to bring back the dwarves with poor-looking CGI, and you get a mess. EDIT: I also heard that the climactic battle is anti-climactic? Originally it was supposed to be Snow White and Evil Queen going toe-to-toe, but now she just falls off a cliff or something?
To my own eyes, Snow White's costume looked terribly cheap - for a big budget movie, where did the money go? So too late, too pulled about, and it's just a rehash of the cartoon so parents will probably wait for it to turn up on the streaming service instead of spending the money for a cinema trip which is increasingly expensive.
I mean, that style of villain death is a Disney classic.
The classic Disney villain death is for the bad guy to fall off a cliff after getting into a final fight with the hero.
It's the best of both worlds; you get to see the hero defeat the villain in a climactic battle, the hero gets to show how good and noble he is by sparing the villain's life, then the villain dies anyway in a way that keeps the hero morally pure.
See Peter Pan, Beauty and the Beast, The Lion King, etc.
I was wondering if you were going to link to that Kulak piece as I read your comment. I haven’t been able to unsee that trope and ponder its meaning in each case I see it ever since reading it.
The dark meaning of mercy for the villain is the same as the dark meaning of opposition to the death penalty. Brutal thugs are not executed, but given long prison terms. Warehoused. Saved for later. This reserve army of brutal thugs is a valuable resource for avant-garde revolutionaries. Think 1917 Russian revolution. Its was a close run thing with a brutal civil war. Typically the avant-garde don't have the numbers. They may win power, but not have the numbers to hold on to it. They need to put boots on the necks of counter-revolutionaries. Since their tests for counter-revolutionariness have too many false negatives, they have to go large and put boots on the necks of the general population. Where do they find the feet to fill the boots? They release brutal thugs from prison to provide the muscle for the NKVD, KGB, Stasi, etc.
It is a very dangerous game. The avant-garde revolutionaries need to retain control of their brutal thugs. The thugs need to be kept divided. If some get ideas above their station, others are sent to kill them. But the Russian revolution and the French revolution both ate themselves. One faction within the revolutionary avant-garde sends their tame thugs to kill a rival faction within the avant-garde. The death toll rises and Stalin or Napoleon comes out on top.
I'm unclear on the causal connections here. Perhaps opposition to the death penalty is all high minded mercy. When the revolution comes, it is an unfortunate accident that the revolutionaries are gifted a reserve army of brutal thugs to help them consolidate their power. Or perhaps there are some strategic thinkers covertly funding the merciful people naturally inclined to oppose the death penalty. The money boosts the opposition to the death penalty, enough for mercy to defeat prudence.
It is not just domestic revolutionaries that one has to worry about. When the USSR took over Eastern Europe at the end of WWII, releasing brutal thugs from prison, to provide the muscle for the secret police, was one of the techniques used to impose the new communist governments.
I’m on record as opposing the death penalty not because of any high minded ideals, nor because I want an army of thugs in reserve, but because the government is entirely untrustworthy. I can easily picture a government deciding that mean tweets warrant the death penalty, while something like assault warrants nothing more than a slap on the wrist.
In theory, not having the death penalty allows for a future government, or the people themselves, to rectify things in the future in the way that the death penalty doesn’t. If society was less bifurcated in their beliefs, I could see it being more of value (as people could more consistently agree on the targets of violence).
In general, though, I’m very much in favour of anything that limits a government’s power - people with a monopoly on violence should be severely limited on what else they can do, lest they use violence to seize all else in life.
In the United States? What precedent can you point to in the history of this country to justify this fear? The death penalty was widely practiced across the U.S. until well into the second half of the 20th Century, and is still practiced in many states today. As far as I’m aware there are no historical examples, whether at the federal, state, or local level, of it being used to punish pure speech crimes. Several American administrations have been more than willing to imprison political dissidents — the Wilson administration very famously harassed and imprisoned many socialists and anti-war activists, for example — but none (again, as far as I’m aware) has ever suggested executing them.
In fact, looking at the sorts of crimes people have been executed for over the history of this country, it seems like they’re all pretty much exactly the ones you’d expect. There actually does seem to be pretty widespread agreement, at least among those in this country who don’t actively oppose the death penalty, regarding which crimes merit it. This was true in periods wherein Americans were more “bifurcated in their beliefs” than they are now. (i.e. during the Civil War) It seems like paranoia about being executed for tweets is fairly disconnected from any sober analysis of the actual probability of that event coming to pass.
I meant mean tweets as shorthand for any politically incorrect speech; and I live in Canada, not in the United States.
Remember that Britain (for example) spent state resources prosecuting someone for misgendering their rapist.
It’s actually not that hard to reach a state where the state could justify it. If words are “literally violence,” it is fairly straightforward to make the case that mean words towards a minority group is exactly what Hitler did (even without the literal violence clause, you could claim that the person in question is encouraging violence and erasure, which is literally genocide).
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