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Notes -
American Compass has a new article complaining about the decline of the Summer job:
The article notes one reason why:
This might lead you to wonder if maybe you should learn something from the wealthiest racial group in America. But no, the author doesn't suggest that. Send your kid to work at McDonald's, good for them, builds character. Who cares if Asians take 25% of Ivy League seats and conservatives find themselves increasingly locked out of the American elite?
This is the same kind of error Leftists make when they see that kids whose parents took them to art museums have higher incomes than kids whose parents didn't and conclude that it means we need to subsidize art museums. In both cases, genetic confounding is ignored. But while the left fetishizes education and high-class culture, the right fetishizes hauling boxes and cleaning pools.
None of this is to say that summer jobs are necessarily bad. If your teen is rotting his brain with electronics 16 hours a day, kicking him out and telling him to get a McJob is probably gonna be good for him. But if he's well adjusted, does well in school, and has lots of friends, there's no reason to make him work manual labor because someone conservative writer who attended a third-rate university told you it's an "American folkway." It isn't, by the way. John Adams said, "I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain." It wasn't "I must study politics and way so my sons can work a cash register and be in touch with the working-class."
Since when? In them I see no love for wisdom and erudition, no study in perfection.
They love credentials officially issued by universities.
I think this is probably more accurate, and really of society as a whole. The dominant position seems to be “if you didn’t get college credit, it doesn’t count.” I get it for job skills, as college credits and degrees mean someone verified that you actually did the work. It never made sense to me in art, literature, history, or other liberal arts. Those things can be easily learned by simply reading tge texts, or practicing drawing or writing. If I had a kid who wanted to be a writer, im not sure I’d make him go through university— in fact it’s a waste of time. Instead, I’d have him write on substack or some other blogging platform and learn to communicate with an audience. Same with art. There’s enough instruction out there that you could learn the techniques of your chosen medium, and the rest is down to practice and getting feedback. But it seems like so many people want to get those kinds of degrees even when they don’t make sense.
But our society somehow bought the university marketing that told them that only learning something in a university classroom taught by a TA who has 500 students a day counts. If I pass a course on WW2 history, that counts as learning history. If I read every book I can get my hands on for that topic, read first hand accounts, looked at raw footage, etc. it doesn’t. Problem being that I’ve actually done a lot more work than the kid sleeping through their lectures in Turner Hall. And unlike him, I’ve actually done all the reading.
There used to be (and still is in some areas) a long, rich tradition of the humanities, passed down throughout the centuries via the academy and other institutions of knowledge generation.
This tradition and gatekeeping it is crucial, and keeping the chain of humanities alive is in my opinion crucial as well. If you just let the masses go at it as they will, art becomes diluted and we stop caring about the old great works of art. As we're seeing now...
If old great works are so great, why do we stop caring about them as opposed to yearning for the standard they had set? Sounds more like the traditional humanities were simply inferior to the new, "diluted" way of doing art.
Because we don't study history, and we lose the cultural understanding that made those works great in the first place. We forget the lessons our fathers learnt in blood when we forget the art that touched their hearts. We doom ourselves to falling into the same pits they did.
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