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naraburns  nihil supernum  1yr ago (text post)   31226 thread views

Culture War Roundup for the week of January 9, 2023

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Why Boston’s “Embrace Statue” has led me to embrace Western chauvinism

Boston Common is a beautiful park in America’s true historic city. It’s a must see when visiting, and features a number of old monuments. There’s the Soldiers and Sailors monument, the Robert Gould Shaw memorial, and a memorial to the Boston Massacre. All of these are in a beautiful timeless design that the common man appreciates, which is appropriate for the common park of Boston. I wouldn’t say these monuments compare to achievements in European cities, but they are nevertheless noble attempts to celebrate the glories of the nation. As in all great art, the form befits the content, and the statues artfully imitate the gravity of their depicted scene.

Boston liberals decided to plop down a new monument, called “Embrace”, in dedication of MLK Jr — a figure mired in controversy over his support and instructions on raping women and the evidence that he plagiarized both his PhD thesis and his famous dream speech. (If that sentence was strange to read, it’s because I’m trying a new writing style where I introduce progressive heroes like they introduce mine). But the reason I disagree with the statue isn’t because MLK is a cheat or a misogynistic rape-enabler. Were the statue beautiful and heroic, and adequately conveyed the perseverance and dedication and cultural significance of MLK, this post wouldn’t be written. But that didn’t happen. Instead the statue looks like shit.

I mean this literally: it looks like a gigantic turd. The real world angles (not the architectural projections) make it look like a man firmly gripping monumental dung [1]. Some go further, and say it looks like a man gripping a monumental dong — that Boston has erected nothing short of an erection [2] [3] [4]. Surely the view of the common people should take primacy for the statues of the Boston Common, and Twitter is filled with normal people laughing hysterically at this statue.

So why erect something so ugly? The root cause here is the conscious betrayal of the Western legacy. What we see in the Boston Common is what we saw in Obama’s official portrait, with many questioning the artist’s choice of a casual background and hiding semen in his work [5]. The Western legacy and its hundreds of years of artistic development, which made a science out of beautiful monuments, is seen as intrinsically white — which is intrinsically bad. And so the novelty of experimental artists is privileged over the traditional and beautiful forms of art. Many of these artists make bad and gaudy work. The public knows this, but they are chosen anyway by the powers that be, who notoriously have an undeveloped sense of beauty.

And so I embrace western chauvinism. The West is the best, not in all the ways, but in important ones. Their statuary history is surely the best. Because the West is the best, we should privilege the traditional modes of art. Accepting this fact would make the public beautiful again.

This is only tangentially related, but this reminds me of a comment on reddit the other day about how public art is often divorced from a practical purpose, meaning that ultimate finished product is bizarre and unsettling even if it is executed well.

Thanks for linking, this case is especially atrocious.

I really agree with this comment and I agree also with some extra

I get more of an “all aboard! Next stop: Auschwitz!” vibe.

(...)

It's awful. I can't imagine being a visitor to Toronto and being greeted with this. Like an out-of-place Holocaust Memorial.

(...)

I stand here in the same clothes I wore yesterday, 38 years old, waiting for the same train I take every single day to my minimum wage job. Every aspect of my life is falling apart. I can barely afford my rent. The grocery store is stealing my retirement. And i'm at the edge of a mental breakdown.

But here I am. Facing a wall of depression that is my literal being, funded by own tax dollars. A very interesting piece of "art" indeed.

(...)

This art makes you want to succumb to the dangerously narrow passages near the tracks. We should start a petition to get it taken down. No art at all would be an improvement over this frosted glass suicide note

(...)

That's the subway station most inhabited by tourists. This is what we think represents Toronto. Depression. Death.

(...)

It's so ugly, so depressing, and even with the vaguest of linework, it still manages to be notably misogynist. The most detailed figure is a teenaged girl dancing around a pole, and she's further dehumanized by having her body outlined more sharply than anyone else's, but her face hidden, AND a yucky guy leering at her - who may be racialized as Black, just to be even more offensive. I despise everything about this.

(while last one is matching claims that are usually false here it mostly matches my own initial impression)

Wow, those are...not inspiring.

I do think the pole is a subway handrail, for what little that's worth.

Yes, but I admit that it was one of my immediate thoughts. Maybe because it was depressing and pole is without any context? And in my areas public transport poles are not standalone in the middle but more bundled with other parts of the vehicle?

Did you mean to write the same comment twice?

I wanted to respond to both people. Should I respond to one of them and hope that other will coincidentally see the other reply?

You can tag the other commenter @traveller

They'll get a ping and it kind of consolidates the thread.

The standard workaround that I've seen is to use a username reference ("@‌ToaKraka") for a second or third person. Reddit silently disables username alerts if you attempt to use too many username references in a single comment, and I assume that this software has a similar limitation.

(Obligatory reminder that imageboard software doesn't have this problem, and allows conversation threads to merge as well as to branch.)

Thanks, I was unaware of that!

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