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Culture War Roundup for the week of November 17, 2025

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You know what movie I'm kind of coming around to? The Last Jedi.

I know, I know, it's a terrible Star Wars movie, for all the reasons laid out eloquently by acoup.It's jokey when it should have been serious, it completely screws up both Stars Wars lore and actual military stuff, and it's a weird convoluted mess of a plot. None of the new characters are likeable, and it makes us retroactively dislike the old characters too.

But.... maybe that was the point. Maybe the movie did exactly what it said it would do in the title... it killed the jedis. Permanently. It's the last of them.

Imagine that you're Rian Johnson. You're not someone like Michael Bay or JJ Abrams who can endlessly churn out fun blockbusters. You're an "autor" director, who takes himself very seriously and writes all your own movies. Also, you're relatively young in your career, having made a grand total of 3 movies (all rather low budget) before being suddenly handed the reins to Star Wars. You've obviously heard of Star Wars, but you were never a big fan, and you've spent your entire filmmaking career under its shadow. Your personal inspiration for getting into filmmaking was Annie Hall, a weird surreal comedy movie that came out the same year as original Star Wars but is about as different as it's possible to get.

What do you do with this thing? The eyes of the entire world were suddenly focused on you. You know basically what they expect, of course- a fun blockbuster movie that's basically a soft reboot of Empire. You could do that. But that's boring- it's been done before.

I think what he did was to take it in a very "meta" direction. It's not really a Star Wars movie at all, it's a movie about the relationship that Star Wars has with its fans. Specifically the most obsessed, hardcore fanboys who have been rewatching the same few movies over and over for almost 50 years now while mindlessly consuming all the new products. I think he wanted to scream "get a life" at them like William Shatner. I also think he wanted to sabotage it a bit, to stop the Disney Empire from endlessly remaking this one silly movie from the 70s for all time. (part of the reason the original is so good is that it's a remarkably short and self-contained story- it was hard even for them to stretch it into a trilogy, and it really shows the cracks when you try to stretch it any further than that)

This movie is almost a parody of Star Wars, a much darker and more brutal parody than Space Balls. It starts by completely throwing logic out the window by showing a space battle with gravity to drop bombs from the world's slowest bombers. Then it portrays Leia as some sort of coward who tries to cancel the mission at the last minute when it's obviously correct for them to go for it. I believe this is intentional, to make us realize that Star Wars was always silly Space Opera and really should not be taken seriously by anyone. There's certainly no reason to think that "Princess" Leia was any sort of great military leader. She was originally just a damsel in distress, waiting to be rescued. Why should anyone be taking orders from her?

In a similar vein, I think Holdo was supposed to be incompetent. Why are all the rebel leaders in Star Wars so good at their jobs? Real militaries are full of idiots who get their jobs through political connections, and rebel forces even more so. Her strange appearance ("admiral purple hair") also suggests this. The movie is just being realistic here- an incompetent person is placed in high rank for political reasons ("the force is female!") and disaster ensues. That's actually a realistic and interesting story, it's just not the one we expected from Star Wars. It's essentially a comedy of errors.

Then there's all the Jedi stuff with Luke, Ray, and Kylo Ren. Here's where I think the movie really finds its mark. I remember a time not too long ago when "Jediism" was being taken semi-seriously by some people as a philosophy. The original movies made the Jedi look so cool and wise. But this movie just savages them. Luke is this weird, disgusting old man who has completely given up on everything. Ray is a silly, naive little girl who's constantly falling for everyone's tricks. Kylo Ren murders his own leader for basically no reason at all. Yoda makes a brief cameo just to use force lightning (!?) to burn down all the sacred Jedi texts, before literally telling us "time it is for you to look past a pile of old books." All of them completely fail at actually doing anything to affect the larger war going on- the resistance is mostly wiped out by regular guns.

I think this was done very artfully and intentionally to kill the Jedi. It's not easy to kill off a fictional character- as the next movie showed, you can always write in some excuse to bring them back to life. Even actors can now be brought back from beyond the grave by digital technology. But when you make both the Jedi and the Sith look, not just incompetent, but disgustingly, stupidly incompetent- it really turns the fans against them. It makes the producers not want to bring the dead characters back, which is what really matters.

A lot of people have criticized it for leaving nowhere for the next movie to go. All the plot beats from The Force Awakened were tossed aside, a lot of the main characters were dead, and the ones left alive no longer looked like heroes. I think that was the point. This is not a story that should be turned into an endless series of blockbuster movies. There's no where good for it to go, and it's unhealthy to just wallow in nostalgia. I feel like people have largely forgotten about The Rise of Skywalker by this point (what a bland, forgettable movie), but they definitely will remember The Last Jedi. The https://old.reddit.com/r/saltierthankrayt/ subreddit to hate on it is still, to this day, surprisingly active! People really hate this movie! (edit- I meant https://old.reddit.com/r/saltierthancrait/ but it's kind of funny that there's another active subreddit just to hate on that one, and at first glance I couldn't even tell the difference)

If I'm right, I think Rian Johnson pulled off one of the all-time greatest troll jobs in history. He got Disney to pay him to make a movie that didn't just parody its biggest brand, but made even its biggest fanboys realize some of it is. I feel like it used to be somewhat cool for everyone to like Star Wars. Or you could use it in an ironic way like the unipiper. I don't see any of that anymore. As Mr Plinkett tells us, Disney is cranking out Star Wars content for TV now, going in all sorts of crazy directions, but no one is paying attention. It just doesn't have the cultural relevance it once did. Harrison Ford might have spent much of his life grumbling about how he dislikes obsessive fans, but he still kept it going. Rian Johnson was the one man who could actually kill this franchise and save us from an eternity of shitty corporate nostalgia and soft reboots.

I'm far from convinced that TLJ was what actually killed Star Wars. For my money TLJ is easily the best of the Sequel Trilogy, though I admit that is a low bar. The Force Awakens had a positive reception at the time, but that reception was based almost entirely on hype, and as time has passed, I think audiences have cooled on TFA and have mostly come around to realising that it's bad. And, of course, The Rise of Skywalker was obviously garbage from the moment it hit theatres - I have never seen anybody, even the most devoted of fans, try to defend that mess.

My sense is that Rian Johnson made an attempt to cook a meal with the ingredients he was given, and while the result was kind of crap, it was, given what he was working with, about as good as could have been expected. J. J. Abrams did more to make more Star Wars impossible, and the profusion of forgettable Disney TV slop only did more to undermine the brand.

I agree that Star Wars is functionally dead now, but I think that death began with the Disney acquisition, its first signs were evident with TFA, and then by RoS it was too obvious for anyone to deny. TLJ is a bad film. But it is not as bad as either its predecessor or its successor, and while it took part in the franchise-killing Sequel Trilogy, I don't think it can be accused of either the first or the last blow in that killing.

My sense is that Rian Johnson made an attempt to cook a meal with the ingredients he was given, and while the result was kind of crap, it was, given what he was working with, about as good as could have been expected.

Literally reversing the roles of Johnson and Abrams in what actually happened. TFA wasn't that good, but it wasn't bad either, they could have gone anywhere with it. The idea that TLJ was "as good as could have been expected, given what he was working with" is pure cope. If they handed it off to any decent manga / anime writer, Disney would probably have their cash cow that they could milk for another generation

It was The Rise Of Skywalker that was an attempt to cook given the ingredients. Yes, it sucked and no one sane will defend it, but it's a direct result of Johnson spending the entire second act wrecking what was set up in the first, and handing it back saying "ok, you can finish the story now".

TFA wasn't cooked, it was reheated moldy original trilogy. TLJ was cooked, but it felt like a joke meal, like a kid put toothpaste and jellybeans in a steak dinner. And yeah, TRS was essentially doomed, the only thing that could have saved it was starting with Rey waking up in her bed "Whew, what a weird nightmare that was! Thankfully, it was all a dream!"

Eh, I feel like that reading could only make sense if The Force Awakens by itself was a tolerably good film, and it just isn't. TFA already sucked. Maybe you think TLJ made it worse, but I really don't think TFA is defensible on its own merits.

TFA didn't feel offensive on release, because it smelled enough like Star Wars at first glance. It took hindsight to see it has no substance, no nutrients in it. I literally don't remember what happens in it at all.

TFA is a mediocre Star Wars film. TLJ essentially derailed the whole trajectory though

TFA wasn't good, by any stretch of the imagination, but it mostly avoided being an active dumpster fire. It was a lazy, uninspired mess, and if it had any brand name other than Star Wars it would have been quickly forgotten, but not particularly hated. TLJ was an active dumpster fire, and I've always been a bit curious about the thinking of the people who look at the actively burning dumpster fire, smell the trash fire, taste the toxic ash on the wind, and go "Mmmm, yes. Art."

It always seems like counter-signaling.

, I feel like that reading could only make sense if The Force Awakens by itself was a tolerably good film

Why?

You have two whole acts of the story to play with, characters that can fit into standard archetypes that you can develop as you please, a mysterious villain that you can take in any direction you want... Even if we accept that TFA is horrible beyond human comprehension, there is nothing in it that prevents the next episode from being good. This is in stark contrast to TLJ which does fuck everything up for anyone writing the final act.

I mean, I do find TFA near-unwatchably bad, but I'll grant that maybe I have an unusual hatred for it. But I think that if your contention is that TLJ is to blame because it didn't radically swerve course and reinvent the whole ST, then that still seems like a position where a lot of blame would unavoidably fall on TFA for contributing so little to the trilogy that the second film had to reinvent it from scratch.

Considering that TFA was an Abrams contribution, and the universally-despised RoS is also an Abrams contribution - could even a hypothetically perfect TLJ have rescued the trilogy beyond even Abrams' ability to screw up in the third act? I doubt it.

But I think that if your contention is that TLJ is to blame because it didn't radically swerve course and reinvent the whole ST

What are you talking about, there was hardly any ST to reinvent. Just tell a normal story and do it well, stop trying to be original and "subversive".

I brought up manga and anime because the Japanese got so good at getting people emotionally invested into characters and showing their development through a series of flashy fights, it's like they got it down to a science. Yeah, yeah, pseudointellectuals will complain about how derivative it all is and has nothing that deep to say, and I will remind them that we're talking about Star Wars. We're aiming for a not-that-deep but fun adventure that everyone can enjoy watching.

The whole problem with TLJ is that it did try to swerve course... onto wall. With what it did there was no way for part 3 to be anything other than a disaster, which was not the case after TFA.

Considering that TFA was an Abrams contribution, and the universally-despised RoS is also an Abrams contribution - could even a hypothetically perfect TLJ have rescued the trilogy beyond even Abrams' ability to screw up in the third act? I doubt it.

There was nothing to rescue from post TFA. All the pieces are still on the board minus Han Solo, you can literally do whatever you want. After TLJ not only are Luke and Leia gone, so are the majoroty of the Republic forces, and so is Snoke. Ren was not main villain material and you don't have the time to develop him into one. What the hell were they supposed to do? I low-key hate Abrams, but it's ridiculous to put the blame on him.