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I'm interested into getting into some deep NPR level culture war.
No geopolitics, no woke-vs-not debates, no (not) Trusting The Science.
I want to talk about books.
Let me NPR whisperspeak overanunciate that: mmmmbbbboooOOOOkksszzzz
Is postmodern literature
To throw up some examples of what I mean;
I've never read Vonnegut, Heller, or DeLillo at all, but I know they are "canonical" in the postmodern genre.
I made it 100 pages through Gravity's Rainbow and was earnest convincing myself I was "getting it" before literally slamming the books shut and verbalizing "This is fucking unreadable."
Back in college, I did the thing and carried around the Big Blue copy of Infinite Jest so people could see I was reading it and I stuck pens in various places to show I was capital-R Reading it. I think I made it a little further than 100 pages, but I can't be sure because I can't remember a damn thing about it.
In my opinion, I think postmodernism pretends to be this ultra-layered "commentary" on a bunch of intersecting meta-themes. Something like socio-political philosophy but explained through dense plots and idiosyncratic characters.
But ... it isn't? Nothing actually holds together. The plot becomes a non-plot or endless branches of a single plot. The characters become weird disposable mouthpieces for the author talking to himself. The commentary, such as it is, gets so jumbled that you lose the point.
And so postemodernism reveals what it actually is; a heavily stylistic exercise, much like jazz, where unnecessary complexity is treated as "skill." Additionally, it's a pure signalling mechanism. People get to do that think when you bring up Infinite Jest or Gravity's Rainbow; "Dude, there's like SO MUCH in that book, right? Crazy, yeah, no, I loved it" Which isn't saying anything at all, but inviting you to be the one who makes a fool of himself by venturing something like, "I'm not sure I got it though" to which the other person gets to puff themselves up and retort with, "Hahaha, yeah, it's not for everyone! Definitely pretty dense, haha." With the snide implication being "But me and my big ole brain totally got it".
This is why I ask, first, "is it real?" The serpentine prose in postmodern literature seems to me to be a kind of forer statement; a reader can (literally) read anything into what's being written and arguments trying to pin down essential meaning are pointless because the point is there is no essential meaning.
I like books about ideas and can deal with density. But I think a novelist has the duty to respect his readers and put together a cohesive narrative. Blood Meridian is an Epic in the classic Homeric sense. You can re-read it 10 times and pick up new strands of thinking on the biggest of The Big Questions; life, death, judgement, heaven, hell.
And it's also a sick western. So you can read it at the level of "fuck yeah, they killed those comanches" and get a lot out of it. You do not need to (although you may want to) keep a notebook next to you while reading. You can just read and get a lot out of it.
So, uh, why are you reading? Like what are you reading for?
You should read what you like if it's for enjoyment. Whether that's Tom Clancy(RIP) or Jane Austen(also RIP), or in your case Cormac McCarthy(RIP again). If you're trying to become well read, then read Shakespeare. If you just want to blend in with a certain crowd, well, that's going to entail plenty of other things you wouldn't necessarily choose to do, I'm not sure why the modern equivalent of Dickens is a bridge too far.
I have never understood the appeal of Shakespeare at all and I’ve tried to grasp it. Although the one book I suspect that has a chance at making me like him I haven’t got around to yet.
Does this come from trying to read Shakespeare? I feel like Shakespeare is best enjoyed in performance form, and trying to enjoy his works from reading them is like trying to enjoy The Godfather from reading the script. There's enjoyment to be had, likely, but there's a lot to the experience that's missing, because the target audience for the script wasn't readers, but rather actors and directors and such, for the purpose of informing them on what to perform for viewers. Personally, my favorite Shakespeare experience is the 90s film Twelfth Night starring Ethan Hawke and Helena Bonham Carter.
The first time I ever enjoyed Shakespeare was in a tavern that served food and booze while putting on the performance. Can't recommend highly enough (no tomatoes thrown, alas).
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I don't like Shakespeare either.
But to give him credit, I'm sure he was exceptionally talented in his time. I think it's like criticizing Newton because he only discovered classical physics: we've progressed not only material and objective knowledge but changed taste.
Likewise, I read Lovecraft and his depiction of eldritch horrors is tame compared to what he inspired.
(Although unlike material and knowledge, whether our culture's taste "progresses" is debatable. Especially because sometimes "what's old is new again". I do think it progresses in that some concepts, like tropes, are discovered then always remain in style; at least until we undergo change as radical as an apocalypse that destroys material and knowledge progress.)
Part of the criticism I have for him lies on me. How can I say I don’t like him if I don’t understand what he’s about? I just don’t see the appeal at all. I’m not sure if Newton is a good parallel case. And actually in his case, Newtonian Mechanics still has a ton of practical applicability today, specifically in fluid dynamics.
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