site banner
Advanced search parameters (with examples): "author:quadnarca", "domain:reddit.com", "over18:true"

Showing 25 of 8121 results for

domain:cspicenter.com

Uh, then how have the Amish managed to survive so far?

My apologies for misgendering you, though I think that's an acceptable error if you go on calling yourself one of the matchmaking aunties for so long lol.

Have you tried getting him drunk? Well, at least mildly tipsy, so he's not so in his own head dying of anxiety?

Ukrainians and Israelis both are capable of adapting to a world without US support, that they received US support is because it is in the US interest to keep the conflicts within a narrow bound.

Harsh disagree here. Ukraine is currently losing and has been for quite some time, despite the US' support - and at this point there's no support the US can give that would make a difference short of simply announcing that their side of the Dnieper is under the nuclear umbrella.

As for Israel, it would depend on how exactly "US support" gets defined. They'd easily be able to survive if the US simply cut off the free money, but Israel takes (in some cases, like intelligence, without asking) a lot more than that. If they were actually and seriously cut off from the West they'd be reliant on their nuclear program for deterrence - and that just isn't enough to protect them from their threat environment, especially seeing as how they've been pissing off Russia and China. They'd have to find a solution to the problem of the orthodox as well, and that's not going to be terribly easy for them.

I hear the chicks really dig Garrus. And I mean really dig Garrus.

Not like it's hard to see why. In all seriousness, you very much do get the "he's dangerous, take-charge, but kind of awkward, hurt a bit, and I can fix him" thing going on, which among the kinds of women masculine enough to bother with Mass Effect (and body pillows) is how their attraction works (though, of course, that kind of woman is rare to begin with).

I dare everyone to try to find actually-sensitive storytelling about male-female relationships, from a male perspective, that isn't 1. pornography 2. completely hamfisted or 3. downplayed.

I just watch anime for this; Tonikawa: Over the Moon and I can't understand what my husband is saying are good for that. Maybe "actually they love each other and nothing that cancerous happens" counts as pornography, though.

I have to completely disagree with the assertion that Halo was viewed as purely a multiplayer game - for myself and many, many others it was viewed as a story game first and foremost, with multiplayer as a (very welcome) secondary feature. I'd also say your coloring of Call of Duty, especially 4, being primarily a multiplayer game, is completely false. Call of Duty was essentially only known for being a single player game until after Call of Duty 4, which was a surprise hit. Destiny was supposed to be a negative example of story (minus the text-based entries). Dead Space is an example that I had to bring up because its story was decently (DS1) to very well (DS2) regarded, and it's an indicator of how much it fell that a modern, well-made Dead Space game fell so far short of these.

As a preemptive response to discussions on multiplayer in games, I will concede the multiplayer is going to have longer legs but that's because you're always going to get much more playtime out of multiplayer than out of single player. I don't want the discussion to devolve into talking about "which people played more", because in any game with a functional multiplayer it's very likely its overall playtime is higher than the campaign's. But that should not be an indicator of the importance of a campaign. It's also pretty biased toward what we know of the series now, given than both Call of Duty and Halo started out as pretty much exclusively single player affairs. They became popular on that merit first and foremost long before Xbox Live or matchmaking even existed.

I'm honestly not sure where your apparent hostility is coming from here. Obnoxiously obtuse? Jesus. I wrote a pretty benign comment that I didn't see how having a couple of characters where one was a white woman and the other a black man was in some way propaganda or odd. Were this everywhere, in every episode and story and book and TV show, sure it would be notably odd. Also, if this were a game made in Japan for Japanese people (a country where as you say I do live) I'd see it as a bit odd. The fact of the matter is, however, in the US and elsewhere (presumably the primary market for this game, Fallout, though I admittedly do not know and am assuming) these types of pairings do happen and have happened. It's not as if the characters are a trans woman and a gay man somehow finding love, where I'd think there'd be more of a point to be made.

While we're at it, your link to the tweet about IQs strikes me as dubious. Mankind Quarterly? Forgive me if I don't immediately rush out and subscribe. And hauling in the other ideas of propaganda re: girlbosses and dumb males (where I see the point, and agree) seems disingenuous of you. When I've read your comments elsewhere dealing with others you've seemed both better reasoned and more polite.

It's true I don't use terms like "miscegenation" and to me it's not something I give much thought to. I probably should assume that there is at least a certain number of posters on the Motte who think I'm dirtying the gene pool (presumably of the Japanese). It's a bit close to home for me to feel like having that conversation, however.

Barring that, however, normally, as people do on this forum, I'd be interested in discussing the topic with you. But as you're now suggesting I'm a liar and probably a cretin, you're probably right that conversation is hopeless.

It may be that because of my physical distance from US advertising (I don't really have US commercials, do not see print ads or whatever is on billboards, etc.) I am out of touch to a degree on what is or isn't common in English language advertising.

CRITICAL RACE THEORY!!!

(horror movie thunder sound cue)

Cute, but it would be easier to believe that attempt at mockery isn't posturing, if everyone in the mainstream didn't flip out when alt-righters apply the exact same theory.

Imagine Shinigami Eyes but applied to people who merely engage seriously with an author.

I want to be able to talk with progressive minded people that 2+2=4 without a tag next to my name that's the same as the one next to Walt's and have my thoughts dismissed out of hand.

I mean, the key attribute here is the monotony of it. As he notes, n=1 isn't really enough to say much because the pairing is not exactly unknown. It takes a good memory, a reasonable amount of exposure to modern Western media, and some level of political awareness to, as you put it, "notice". Most people don't have that. TheMotte concentrates those who do, but it's still not everyone here.

As it happens, @George_E_Hale has just admitted that he's not exposed to all that much of this.

Some charity would be nice. Even a reasonable amount of SJers haven't noticed this sort of thing; I didn't until somewhat after I left.

Russian-speaking Ukrainians are not the same as the ethnic Russians, especially now. My anecdotal experience and what I've heard of Ukrainian refugees in Finland is that clear majority speaks Russian (they're usually from Eastern areas since that's where the fighting is) and a clear majority also firmly supports the Ukrainian war effort. The actual ethnic Russian areas (ie. the separatist-controlled areas before 2022 and Crimea) had already been detached from Ukrainian control before 2022.

Nobody thinks that the Irish speaking English means they consider themselves English, but for some reason the idea of someone speaking Russian yet not being Russian seems very hard to understand for many.

I think this is my favorite comment I’ve yet read on this forum. You totally and succinctly understand that almost orgasmic feeling of relief when finding that one new piece of art that isn’t completely pathetic.

If there's not enough food coming to your country due to external factors then you basically have to ration food or you start getting starvation and mass deaths.

By that logic, how do you trust anyone to do anything? Stuff still needs to get done, even if the incentives aren't perfect. The world turns.

You might have noticed these days we (I) don't trust the media and authorities to tell us the sky is blue today. I seriously don't trust these people not to fuck it up and engineer an even greater climate disaster.

Yes, people should play to their strengths, and it sure has worked out well for him. So now he can feel himself being a persecuted loser nerd who'll surely get crushed by jackbooted thugs one day, while he's a successful academic with a healthy family and significant following, insulated from most any threat in life.

In my opinion, this posture of his is more pathetic than that of actual uncontroversial losers, and in the dating market it'd have been rightly penalized (separately from his appearance).

Regardless, this dispute itself is pathetic wading through someone else's high school traumas. Low-class Russians getting conscripted are not like Aaronson, nor are they like Henry the Slayer from Scott's fable. They are losers on every dimension sans perhaps tactical operational. Unfortunately it seems like I have to disambiguate. Aaronsons of the world, at the peak of their sexual frustration, often tell themselves that women love Henrys, implying that there is some correspondence between losing at conventional milestones of being a full-fledged adult, masculinity, and popularity with the opposite sex. And oppositely, nerds can feel their loss diminish – dumdum broads chasing Chad Thundercock, who cares! – and their success become more substantial, by contrasting it to the animalistic condition of an imagined Henry. Hence the whole of PUA/Redpill doctrine. This is cope. Women love men, not dysfunctional deadbeats. Some deadbeats happen to be manly, or at least more manly than Aaronson, which is not a high bar to clear; but ceteris paribus, women prefer men who are also conventionally successful, powerful and respected. This is very trivial. Nerd-Tate discourse is confused and fueled by resentment.

Transient details (like the fact that high-IQ, often autistic nerds who go to places like MIT and stay virgins until graduation have been economically well rewarded over the last few decades, and so can be considered "winners" despite low initial success with women) do not change much in the overall picture.

The right has an easy answer to this. The differences are entirely genetic. Low IQ, high criminality, highly prone to violence. There are no such things as “historical roots”. The problem with CRT is it then inflames racial differences and also proposes solutions that only makes things worse. For example it tries to solve genetic differences with social programs like affirmative action. Which eliminates the meritocracy but doesn’t solve the underlying differences.

Hanania also is a hardcore HBD but has stated fairly directly that you really can’t make those arguments in public. Instead he uses dog whistles now. Like arguing for the meritocracy because he views that as a winning political strategy while using his more direct logic for those positions is a failing political strategy. Arguing against affirmative action is a failure of a policy because IQ gaps can’t be fixed by going to Harvard is a losing strategy. Arguing for a meritocracy because Asians are on the wrong end of the affirmative action stick is a winning a political strategy.

I mainly keep up with Western media through second-hand complaints these days. I am well aware it's more of a religious and educational institution than an entertainment-focused one.

It is a pity. As a kid, I liked consuming American cartoons and such. Now it just doesn't click, the sermonizing is too pervasive and too easy to notice.

Loved Pantheon S2 though. Maybe "Hollywood" should try adapting more content of Chinese authors. It feels fresh, original and open-minded.

A relatively tiny enclave of Amish can survive and keep their ways of living under the protection of a country like USA. Perhaps a relatively tiny country like the Switzerland or Monaco could survive being Amish while living under the protection of modern EU (and USA). Can anyone bigger do it and not become thirdworldized? Doubt.

I think you touched upon one valid point, which is the size of projects, and that the man in charge is rarely the one with a comprehensive creative vision, and even if, has too much on his hands to see it through.

But as for generalized conclusions about the decline of culture at large - probably true, but on a longer time scale, and not the immediate cause of the sharp decline in video game writing quality.

I offer a different hypothesis: The game makers of old made games from first principles, the game makers of today make games that imitate the games they know. They have played games for decades now, since they were old enough, have consumed endlessly, and whatever unique creative ideas they might have had have since been sandblasted to dust by a thousand consumer products having gone throgh their brains. They think in terms of what they have experienced hitherto, which is games based on games based on games, and their writing likewise.

Nobody needs to explain or justify why games have hitpoints, third-person reticules, experience points and levels, ultimate abilities, hero classes, zombies, magic that produces differently colored fireballs, scientific anomalies that manifest as colorful particle systems, star lanes, energy shields...all of this is assumed away as the baseline stuff of our consumer experience, and it goes without saying that when something "new" is made, it is made out of all the old that constitutes the entirety of our experiences. And that old used to be from different media, and so had to be adapted to fit a creative vision that sprang form outside of the gaming world. But now the old is just well-trodden ground, trod again, and again, and again. I don't need to explain to you why you are the chosen one with quasi-magical powers who can slaughter hundreds of meaningless enemies - it's what you came here for. Whatever plot I provide to justify it is just background noise.

While filtering out "inadequate" suitors on the dating app (and I can bet there are many) might be easier than changing your lifestyle to adequately date, I don't believe it's no effort. Too many posters give off this "just get a good partner sis" message when they describe women's dating prospects, whereas "just clean up and be confident bro" doesn't work quite as well.

Whenever I watch a film directed by John Carney, I'm left with this very unsettling feeling. Watching his films makes me feel like he's never actually met another human being in his life, that his entire knowledge of what people are like comes from watching other people's movies.

This wasn't always true of Christopher Nolan (the performances in Memento are remarkably naturalistic in spite of the contrived plot), but has become the case over time. No one in Inception, Interstellar, Tenet or Oppenheimer talks or acts like a real person (particularly damning in the latter case, given that 95% of the characters are based on real people who actually existed).

Good points. I think we need to differentiate between two groups:

  • The tinkered-together video games of back when and the more creative indie games of today.
  • The almost mass-produced AAA titles and derivative indie games of today.

The kind of mature industry that can churn out one Total War game per year, and a Modern Warfare every two years, and two Superhero games per year, and another Hero Shooter or Current-Thing-Clone so often they all just blend together...didn't exist in 2000. And didn't reach or cater to the same size and type of audience. Very very obviously the writing of the second group will be of a completely different nature than that of the first.

It may be related to Geeks, MOPs and sociopaths. When video games were a niche interest, the only people making them were nerds who were passionate about what they were making and had a vision in mind. Over time, the medium swelled into a multi-billion dollar industry, which attracted a bunch of people who didn't care about the video games for their own sake and were only in it for the money/as a stepping stone in their careers/using video games as a vehicle to advance a social agenda/all of the above. I don't know if this is true of video games, but it is definitely true of video game journalism.

This is not to say that passion is a necessary component of great writing (no one is more passionate about their art than some dork writing Sonic fan fiction), but a clumsy story written by someone who cares about what they're writing at least has an endearing quality compared to a mediocre story written by someone who only cares about the paycheque.