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glazing
Why have I never seen this word before this week, and yet like eighteen references in the last few days, each of which is presented in such a way as to help normalize it? Is this a psyop?
I don't think we had a lexical gap here. I don't think a new word is called for, and if it were, I definitely don't think it should be that one. Nothing about this feels organic or warranted.
Well, State-Owned Enterprises are a feature of one notorious, nominally Communist state that the US is dedicated to beating, and this does look like a market-flavored convergent evolution in this direction, but no, I don't think it's theoretically leftist. It is of course statist and industrial-policy-pilled. Probably prudent; will allow the state to strongarm Intel into restructuring by TSMC executives, which seems to be the plan to save the beleaguered corporation.
Are there risks of corruption arising in the Trump administration
Oh yes.
Are you asking for "girl stories" (that aren't smut-adjacent) or "stories written by women that aren't girl stories"?
I would argue that Harry Potter is not a girl story. While Rowling has some problems writing adolescent boys (and for that matter, her adult Cormoran Strike novels sometimes show a bit of women-writing-men weaknesses), the Harry Potter series was very much a boy's adventure (and was sometimes even criticized for that, despite its fanbase being majority female). However, as a story that appeals to girls yet doesn't also alienate boys, it's probably the ur-example today.
Dragonriders of Pern is, as you say, something that appeals to spergy horse girls and I have seen female authors inspired by it refer to it as "girl-canon," but back in the day it had a broad cross-gender appeal. (The "Harper Hall" sequel trilogy was much more of a for-girls thing.)
There are a number of female authors who write decent novels that appeal to men: Lois McMaster Bujold, Elizabeth Moon, C.J. Cherryh. Leaning more towards "feminine perspective but still readable by a man," Leigh Bardugo, Cathrynne Valente (the author is insufferably woke and has one of the worst cases of TDS I have ever seen, but I really do recommend her Fairyland books, which are both very much "girl" stories but something I would totally read to a boy), Naomi Novik (a lot of people love her Napoleonic wars-with-dragons Tremaire series though personally I didn't), Ursula LeGuin. And outside the SFF genre, Alex Marwood, Sara Gran, Lisa Brackman.
Really, it isn't that hard to find good female authors who aren't writing didactic man-hating feminist novels or romantasy. Finding books that appeal to young readers of both sexes is harder but not impossible.
Yes
The right has begun to sour on Capitalism for a few reasons. The current iteration of the “free market” has so much government intervention that it’s basically corporate socialism already, making calls to preserve the free market ring hollow. Libertarians burned too much of their conservative cachet and are now fringe group without much pull. Also the right realized that “all that is solid melts into air” includes religion, nation states, ethnic groups and families.
Worm was written by a man, and it shows. So was Practical Guide to Evil. It shows so hard that you can clock the author's sex just by reading the book, even when they use a totally sexless pseudonym and write an opposite sex protagonist.
A quick check confirms that Samus was created by a man as well.
If you've ever read chicklit, the difference is obvious. A female author of a female protagonist will linger on her interactions with every remotely relationship-appropriate male, to make sure the reader knows how desirable he is, and the flavor of his desire for the main character. Is he a good friend who respectfully hides it? A burning frenemy who offers aid even though he shouldn't? A simp?
As a man, reading that sort of book is alien in a way that few other things in sci-fi or fantasy manage. Like, you really go through life keenly aware that most men you interact with are at least some level of interested in you? Just because? As the default?
There is a male version of this, called "glazing", but it takes the form of gratuitous reaction shots to something impressive the male character has just done.
But women can more easily imagine being showered in attention and praise for doing something impressive than men can envision a world where they are loved and wanted just for existing.
Disclaimer: I think that last category might actually exist in anime, but I don't watch enough to know for sure.
Evolutionarily speaking, a woman's worth is largely dependent on immutable physical characteristics (modulo things like plastic surgery), so these sorts of stories tend to psychologically resonate with women.
"worth is largely dependant on immutable physical characteristics" is true evolutionarily speaking about all forms of life
I guess that's a valid question these days - do we even want national legislators to represent a specific geography? My big-city House rep I can see is a party line liberal; that represents the district and I don't begrudge it, but when I look up her votes the single thing she broke with the party on was HR3633 (cryptocurrency regulation framework). I look up her social media, and 90% of her posting is on national issues, boosting other national politicians, Gaza, etc. My impression is that the idea of truly local representation has been broken for a while and that this dates back to the late 00s with the start of political nationalization and the decade-long earmark ban.
Could a similar line of expectations dissuade other prospective male readers?
The last major intended-for-girls cartoon that didn't have this, that being MLP G4, had an absurdly large male following precisely because it lacked this.
Lol. Those were jokes, not serious statements of analysis. The crocodile penis thing was a riff on a silly joke I myself made -- she works in science, and understands very well that this was not how taxonomy works.
Young boys also enjoy Bluey.
Sounds a bit like Bujingai or Asura's Wrath? Sounds like worth looking into.
Age of Empires II, except terrain matters, troops don't immediately break rank and jump into a mosh pit when you click attack and walls are both tougher and more expensive, so you have to put your farms outside the city.
I'd argue vanilla WoW is pretty unserious (and willing to throw random stuff that wasn't there historically, from goblins to kobolds). But to answer the question:
Fauns and satyrs, harpies and sirens, sphinx. The dog-headed ones were kinda universal myths in the Old World, but they existed long enough ago in European mythology that Augustine debated their historical existence. If you throw in shapeshifters, kelpies and selkies. If you include mere behavioral anthropomorphism, Reynard the Fox (and his whole company) and Puss-in-Boots, arguably Br'ers Rabbit Fox and Bear (1880s) -- which makes the 20th Century Disney variant more of a conversation with folk legends than you'd expect from first glance.
Some of these have Warcraft equivalents, but very few are furry bait even where they're fan bait (eg, there's a lot more Draenai fandom than burning-legion-proper-as-a-whole fandom).
And judging by the size of the Star Wars toys section at Target compared to 10 years ago (or even when I was growing up in the mid-90s, more than a decade since the last Star Wars movie came out), it seems the golden goose is well and truly dead. When I was a kid, Star Wars had an entite aisle all to itself, literally every boy I knew had a lightsaber and dozens of action figures. I can't remember the last time I saw a kid playing with a Star Wars toy.
like the heroine actually had the power to solve all the problems in her if only she realised her own worth
Evolutionarily speaking, a woman's worth is largely dependent on immutable physical characteristics (modulo things like plastic surgery), so these sorts of stories tend to psychologically resonate with women. They don't have to go wrest their value from the external world like men do.
I once asked my mother why so many Hallmark movies copy the "It's a Wonderful Life" plot where a woman makes a life-altering wish, gets transported to another timeline, and then realizes she doesn't like it and has to find a way back. She responded, "oh, the movie is telling you that actually everything is great for you already, and you're just too stupid to realize it!"
or there was a solution that involves using emotional intelligence and likeableness to dissuade the villain from his villainous ways instead of defeating him
That one strikes me as perfectly reasonable and not necessarily anticlimactic...
What are some examples of "girl" stories that aren't cringe pandering softcore-relationship-porn wish fulfillment only (lame) women find appealing?
That isn't a leading question, it's an honest one, I'm sure they exist. But the people who write those don't get jobs at Disney. A lot of these girl stories seem to be made completely independent of everything that's been learned about basic storytelling structure, like they've been made up from scratch instead of being built on a foundation of previous works.
I Think the only woman author I've read extensively is the Dragonriders of Pern books by Anne McCaffrey, which was back in high school. While I remember those having female protagonists, they did heavily feature men, many of whom were genuinely loved by the author and characters in-universe (the master harper), for being men. There was the full spectrum of heroes and villains of whatever gender. I suppose some of the male characters had realistically male flaws that stuff written for dudes would normally leave out, almost like the author had, you know, known men in real life. But in McCaffrey is very obviously some kind of spergy horse girl, and wasn't writing to be in line with 2020s corporate intersectional feminism.
Oh and Harry Potter. Those are at least competently written, and are generally appealing to everyone without pandering to one gender or another.
So, you take a work of fiction with a male main character. It falls into the "Men want to be him, women want to be with him" tropes and everyone is happy. You try to do the same thing with women? You create a woman that women want to be, and men don't want her or you create a woman men want, but women don't want to be her.
Not a game but have you guys heard the Japanese VA for FFX? I thought the very inconsistent VA for the English version was a due language barrier during production but apparently not..
Have you tried any roguelikes/lites? Easier to just get one to couple of runs in when you feel like it and then do something else. You don't have to stay super engaged for extended periods of time.
It would be interesting to know why this is
My gut says that it's something very profound and evolutionary. In the ancestral environment, a boy has to earn his place as a man (by hunting, fighting etc) whereas a girl grows into a woman without doing anything per se. It would make sense for boys to seek out male role models for that reason.
I saw on Twitter someone comment that the idea that the company that owns Marvel, Star Wars, and Indiana Jones would need to look for a new IP to help draw in young male audiences in their teens & 20s is pretty hilarious and absurd. You could probably have put any random 8th grade boy in charge of any one of these franchises back when Disney acquired them and turned them into at least good draws for that crowd, if not great. Yet the actual executives in charge appear to have less competence than that (or, perhaps, different incentives than making the best product or most money).
Makes me think there could be a modern remake of Big where he becomes a studio exec instead of a toy store VP and greenlights hits over the adult execs. Would have to be a longer timeframe and also, I'm guessing Big probably won't get a remake anytime soon given the implied statutory rape.
Nah this is the plot of S07E01 black mirror "common people".
It would be interesting to know why this is. My intuition is that, if I picked up a mass-market piece of adventure literature with a girl protagonist, there would be a greatly increased likelihood of there being some point in the story where the dramatic arc is sabotaged in the way that is so typical of female-protagonist stories - like the heroine actually had the power to solve all the problems in her if only she realised her own worth, or there was a solution that involves using emotional intelligence and likeableness to dissuade the villain from his villainous ways instead of defeating him, or whatever. I would find this disappointing and anticlimactic, especially in literature of a tier so low that I have no expectation of the victory-by-leveraging-wonderfulness-of-women being written in a remotely interesting way. Could a similar line of expectations dissuade other prospective male readers?
Indeed, it doesn't seem like boys avoid e.g. the Metroid series of video games; even if the protagonist is revealed to be female, the genre guarantees that Samus will still only defeat the final boss by getting gud. I also do not get the sense that the fandom of wildbow's Worm (whose female protagonist does not get treated well by the universe at all) leans female.
I hate everything, but I like Bluey.
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